Author Archive

there’s been an interesting thread on the Studio Art Quilt yahoo group about studios. Some were talking about dedicated spaces away from home that operated as both gallery and studio, all the way down to a dining room table that gets cleared when company comes. Pretty much everyone agreed that if you are going to improve your work and your quantity of creativity, you need some kind of dedicated space. And most felt that a dedicated room in your home would be sufficient.

I agree. As much as I liked LOVED Mary Fisher’s space in Sedona, Arizona, there’s no point drooling over it with a case of the “I wants” because it isn’t going to happen. You can see the post of her studio here. In the year since I retired, I have made over my studio space twice, once  unplanned because we ended up moving. I’m like many artists – the dining room table was my sewing area for so many years. Supplies were stored in boxes and other forms of makeshift storage. It worked until I got really serious about my work. Then I took over the spare bedroom, like so many. I had two dedicated bookcases and some plastic bins, and a very large closet. But there came a time when I said, ya know, no one ever comes to stay except maybe once a year. Why did we need that bed? Primarily I would sleep in the spare room when I had a cold and would snore. Solved that by hubby getting ear plugs. So the bed went on Craigs List and I had a whole room.

The problem was still one of organization. Lots of plastic bins, all of which had to get dragged out every time I wanted to search for fabric. And a lot of stuff was hidden out of sight in the closet. I had to set up the ironing board every time I wanted to do something. And the design wall didn’t always happen. A year ago, after visiting friends in Sedona who had some GREAT Ikea shelving, I decided I wanted to remake my studio. Here’s a “before” post, with the cubbies I spent my retirement gifts on from Target. At the bottom of this post you can see the remake. It worked pretty well, still small, and I wasn’t happy with the design wall being part of a closet door.

And then we had to move again…..(9 moves in 18 years), but the space was bigger……and there was a garage…….took about a week to get the new studio in shape, and the space has been fabulous. I can leave the ironing board set up, I have two design spaces, and I was able to reclaim the dining room table into the studio. We can both easily work in the space, and there is still room in the one closet.

Here’s the new space:

(No it doesn’t always look this clean….)

Plus…the new landlord is going to get a laundry tub in the garage, so I will have a “wet” space for dyeing fabric. It’ll be a couple of months, and that’s not a problem, as it is now over 100 degrees, and it will no doubt stay that way until October. New shelving and a dedicated table for surface design. Can’t wait!

Would I love a work space connected to a gallery? Sure, but we need to work with what we have. The reality is then I can’t work whenever I want in my jammies……

So for this month’s Free Motion Quilting Challenge, I set myself the task of remaking hubby’s lap quilt. I made this quilt about 16 years ago, when I was just getting into some serious learning to quilt. Oh my, have I learned a lot since then! Three hours of taking out all the stitches…think back to just how old that invisible thread was…..and how bad really cheap batting was (which was all I could afford at the time….). Yup, I was pretty appalled at what I had. Here’s the original – very square, emphasis on the squares. All stitch-in-the-ditch.

I used the pattern from this month – Leah Day’s wavy stipple, which I really liked. I was using a variegated thread, but then I decided it was too obvious, so I changed to a blue that blended in with the fabric. Much happier.

I’m really partial to what is happening with the backs with free motion. Here’s a couple of shots of the back.

What’s becoming obvious is how 16 years ago I used to “iron” as opposed to “press.” had a lot of squaring off to do…..

I really like what’s happening on the back.

And now for the front…..for the first time I actually marked some of the quilt top. I wanted something in the purple/blue blocks to offset the square-ness, so I marked all the curves.

I am very pleased with more curves showing in this quilt.

I did some pebbles in the first small blue border, which I like. I was going to quilt the leaves from January in the outside border, but I didn’t like it. One of the things I found at Road 2 California was that it seemed like a lot of quilting was done just because the quilter could do it. I opted to leave the border as it was.

I ended up cutting off about 1.5 inches all around to square up the quilt, so I had extra binding, which was good…..but oh my, how I had bulky binding…..Now I just have hand stitching for S&B tonight with friends. And then it gets put away till next winter, when it’s finally cool enough for lap quilts. I have enjoyed taking apart old quilts so that I can practice on them. Let’s see what Cindy Needham brings us in June!

Another interesting week on the web…..

Do you know about Tophatter? This is a new auction site on line – live auctions, a few times each day (actually, a lot each day). It’s just getting started, but seems to be a fun community. You can check it out and get emails about the various auctions – watched a hour’s worth on Saturday, and it was quite fun.

From the 365 Project, another set of amazing photographs.

Curious Cat by Sassik

Cool eye candy in a quilt show from Perth, West Australia, from Joan at Leschenault:

sorry - no credit given on the post, but AMAZING free motion!

Ever wonder about how they get all those clowns into a car? Here’s an article that actually explains the physics behind it…with a good dose of mirth!

From The Best Article Every Day comes “How to Fail a Test.” As a math teacher, I absolutely loved some of these.

For a “feel good” piece of fun, this wedding proposal:

From Alyson Stanfield comes another good post on working on our art: 6 Things Nick Cave Said That Made Me Pay Attention:

The best piece of advice for me? Evolve. Continue to grow. With that, I just emailed an artist whose work I really like and asked her about some private study to help me grow.

If you’re looking for the big ideas surrounding us, then go to Big Think for a load of provocative ideas. Here’s a screen shot of the last few articles:

From Cool Hunting comes a look at furniture designed from reclaimed parts of old buildings. Some very clever ideas for repurposing!

In case you need motivation to accomplish something you think is hardly possible, amidst all the naysayers, comes this final video…..perfect for my state of mind right now. I have to believe in myself, and when it comes to my own issue, I just don’t. That’s changing now.

Ack…..where did the week go? For the first time in three weeks, my list has sat unopened on the table. This started last Saturday night, I think as a result of staring at the computer for my first Tophatter auction, and consequently really wrenching my neck. Two chiropractic visits later on Monday, life was better, but it wasn’t until Wednesday after yoga that I really started to feel better. Three days of no work on my deadlines for fiber pieces, and I was beginning to panic.

Yet at the same time, I wasn’t worried about everything else on my full-page list, because there was really only one deadline that had to be made. And thanks to a lot of concentration on Wednesday afternoon and all day yesterday, my depression piece, “Misfiring Synapses,” is ready for photography and submission.

Am I pleased? Yes. It pretty much came out as I was picturing it in my mind. It has good depth, lots of layers, and definitely tells a story.  Here’s a close-up, with no full reveal until I know something about acceptance or not. I took a leap of faith with my entry to Visions. This one, however, is HUGE for me – very unlike anything I’ve done yet, and the whole process was very different. And…I’m looking to play with the “big girls” now, so we shall see what happens.

Lots of layers, lots of decisions as to thread. If you look at the center of the close-up, the red thread looks like it just breaks off – the idea of a misfired synapse in the brain. This is actually a Rainbow thread from Superior Threads. It has red, black, and purple, which works perfectly for this center neuron. I stayed with red unpolished satin for the rings, wanting the interior inflammation of the brain as we struggle with depression. The red fabrics are slightly different shades, with different patterns and quilting within them. I cut and layered each piece, finishing each edge with serging – again with a Superior Thread, this time a King Tut, as I didn’t want a shiny effect. I gotta tell ya, I never really paid much attention before to the effect thread would have on a fiber piece. The multi-toned gray was to look at the outer layer of the brain, with all its folds and ripples.

This probably should have been next Wednesday’s entry, for my work-in-progress, but it’s on my mind today as I think about photography and submission.

I have a couple of other self-imposed deadlines. I was going to enter another show, but I’ve decided to wait and see about these two current pieces making the rounds. One, I want to know where I stand, and two, entering shows is expensive, especially with shipping. So I will continue with the next mandala, and then that piece will be finished and in “the wings,” so to speak, if something else later summer looks good. Two, I want to do some simpler sewing/designing for myself, especially practicing the free motion quilting lessons. Two weekends ago I took apart one of the first quilts I actually finished and machine-quilted so that I can practice this month’s patterns. I don’t have to worry about hubby missing his quilt right now because it’s in the low 100s for temps already – and it’s not even summer in the desert.

I’m reading Dune by Frank Herbert. Never read it, and I am enjoying it. Then I have two Robin Hobbs to read, plus an ebook and a tutoring book to work on. My scheduling still seems overall to be working, as I am making progress on the many projects I have (not accounting for the lost days this week).

And…we’re in the midst of a local election in Tucson to replace Gabrielle Giffords’ seat, since she resigned. It’s ugly and annoying, with misleading adds on both sides. I’ve read about the “Fair Tax,” and I think in it’s purest form, it’s a good idea. But that’s not what is being presented by the Democrats. And the Republican challenger is trying to back away furiously from everything he said in 2010 in that nasty election. I’m at the point where protecting Social Security and Medicare are crucial to me. Saying you’ll protect them after you’ve called them “the biggest ponzi scheme in history” really makes me nervous.

Even on line it’s getting hard to get unbiased, well-researched and reported news. I keep looking back at various points in our history and wonder about the directions we are moving. A someone who is a baby boomer, who loves history and reads about it all the time, has been a union member for protection (and walked a picket line), and has a sense of service to this nation, I am appalled by what is happening in this country. We are Americans, and as such, we should be a leader in all things – health, welfare of our citizens, concern for the planet, and true proponents of the Bill of Rights for all. We should be better than water boarding, regardless of the claims of national security. We should be better than cutting education. We need to look at our programs systemically. If there’s medicare fraud, then go after the ones defrauding the system. Don’t do away, willy nilly, with the program.

So….my thoughts for the day…..from sewing to politics. Quite the rambling mind……

Have a great weekend!

A great big welcome to all the folks coming here from SewCalGal’s tutorial and Fun Friday Giveaway! I enjoyed doing the tutorial on quilting marbled fabric, especially thanks to SewCalGal’s sponsoring the Free Motion challenge this year. Hopefully you’ll leave comments about what you might do with the marbled fabric. What I want to announce today is a new part of the website and blog, for those of use who use – or have used marbled fabrics – in your quilting and assorted sewing projects.

When we first started our website (back in 1997….and a few changes along the way as we learned a whole lot!), we had part of the site to show off people’s projects who used the fabric in their quilts. We’d like to start that again. If you check here, you will see some of the very early quilts I did that used marbled fabrics. When I first started using the fabrics, after we began to learn in 1992, I pretty much put everything with black. I was rather afraid of color at that point. One cyber friend who paid us a visit back in 2002 said, “Let me take a fat quarter and see what I can do with it,” and a week later she came back with a completely quilted piece of fabric. Oh my, it was gorgeous.

That’s what started me actually quilting the fabric. It took a while to get the speed and rhythm down for the free motion and the stippling, but it made such an impression on the appearance of the fabric. At the time we were just making fabric and selling it, not really paying attention to the actual quilting of it. Along the way, several artists bought some and began to incorporate it into their quilts. Kathy Nida used some in one of her first quilts that got accepted into a show, in 1999. To this day I love looking very carefully through her work to see remnants of fabrics she’s purchased from us.

A Study in Flesh by Kathy Nida

We’re on a mission to have people use marbling in their artwork. Send us a picture of how you use the fabric, whether you actually quilt the fabric or just use it in a more traditional manner. We’ll get you up with credit on both a blog page, as well as the web gallery.

Good lick with the giveaway – the fabrics are really quite pretty – and I want to see what you do. Plus….I’m doing a newsletter within the next week, so be sure to sign up to receive the monthly missive, and we always give away some fabric each month. Use the box on the upper right. Check out Ebay and Etsy as other sources for marbled fabrics, and you can always order direct from us.

Happy quilting!

….well, probably not a real bump, more like a slight detour in the development of this new piece. I am trying to represent depression as something that is hidden in the brain. I have a great center piece that looks like dendrites. I want to build around it in reds for the angst that comes with depression, and I was running into some issues with how to quilt the third piece. So I looked at the rest of the fabric pieces I had to see if anything looked like it would work better. Found a piece that will be fabulous, and it’s going to take a lot of quilting to make this piece really happen.

As I’m auditioning threads, hubby comes in for his opinion, and as I’m trying to explain what I want to attempt, he brings up some legitimate questions on construction. While this is an art quilt, it still needs to hang like a quilt in a gallery setting, so I have to keep that in mind. I’ve had issues when trying to construct “unusual” fiber pieces in the hanging, so I have learned to keep that more in mind.

We’re drawing back and forth on the ideas, and it finally occurs to me that I need to do a mock-up to see if this design is really going to work. If I can get it together, it should be pretty amazing. So that’s the task ahead of me tomorrow morning after marbling. It’ll set back the actual quilting a day or so, but next week looks pretty darn clear for work…..

With that in mind, it has been a productive week. I finished my commission for my yoga instructor. Did some minor beading to represent the little bits of water we have in the desert, hence the name “Desert Stream.” This is a smaller version, with a number of changes, from “The Shallows” piece. I’m quite partial to how the lichen looks in this piece….a lot of use of the reverse button on the sewing machine! My yoga lady LOVES it.

Along with this has been my auction piece for SAQA. It’s along the lines of the depression piece, but a whole lot more positive. It’s called “Hotwired.” It’s simple in execution, but I think pretty effective.

"Hotwired" 12 x 12 inches for the SAQA auction

Because there’s not enough deadline sin my life right now, I decided to take apart one of my first quilts to requilt for the May Free motion challenge. I love the pattern, and I think it would look good on this pretty masculine quilt for hubby. Boy, you can tell how old it is (15 years?) by the really lousy batting I used – what was CHEAP at the time. I’ll post pictures as it get finished. This is it with the binding already gone, and I am starting to take out the really awful straight-line quilting in the ditch…with invisible thread, no less, back when I didn’t really have a clue. Should look considerably better when finished.

NOw fort he other piece in progress, my piece on depression. I spent some time today actually trying a pattern from some old white fabric, pinning it up on the wall. It was an interesting process, as I usually just try things as I go along. This time I just wasn’t sure that was going to work, as there were a lot of issues I wanted addressed in this piece. Here’s the finished pattern – and now I have pattern pieces to use – a bonus I never considered.

 If I’d thought about it, it would have been in different colors……but I really like the shape – very organic, very like a brain. Here’s a reject piece of fabric, now available for another piece.

 It just wasn’t playing nicely with the other fabrics. Here’s one of the reds with the thread to remind you of the colors of a PET scan. The problem with this piece is going to be the photography – the red is showing pink, the black is showing red….not quite sure what I’m going to do, so I need to get it finished with time to spare for the final shots.

THis is a little better, but you can’t really make out the sheen of the thread.

So it’s been a busy week, and hopefully it will continue!

Cool week on the web…..

One of my favorite artists for the incredible batik work she does, Mary Edna Fraser. This is a look at a new installation in progress that she is working on.

Who knows when just one little act that we think nothing of will mean the world to someone else? From Letters of Note: With the hoopla starting for the summer Olympics, there’s this ad from Proctor and Gamble that made the rounds I think in 2010 (which seems like I saw it just yesterday). It’s worth a few minutes of your time. And also from The Best Article Every Day comes this little bonus pic:

Genius isn’t always noticeable, as this blog from The Creativity Post points out. Check out these famous “failures.”

Another interesting take on creativity: science and ballet, also from The Creativity Post.

From The Cartoon Brew comes a Stephen Colbert interview (parts 1 and 2) filmed in January with Maurice Sendak. Lovely! Sendak will be sorely missed.

Chocolate, chocolate – probably the most creative use I’ve seen in a while. I found this through Cool Hunting from The Dessert Girl blog, and it’s oh so clever an idea! A new take on the molten cake…..

From The Huff Post comes this amazing article on women in combat and their issues as veterans. There are some amazing ladies profiled, and it’s interesting to see how they have had to struggle to get the same medical benefits as their male counterparts…because technically they are not considered combat veterans.

I am reading Susan Cain’s book Quiet: The Power of Introverts in a World that Can’t Stop Talking. It has very interesting applications for the classroom, since we are always encouraged to do group work and have everyone participate vocally in class…..something I always got dinged on in my evaluations. Basically I believe that not everyone has to be able to participate in a group…my own experience. This is a TED talk she gave that’s quite interesting.

And finally, Animals Talking All In Caps. Great animal pictures with really funny captions. Great way to start the day!

So what did you find this week on the web?

 Sometime last week it occurred to me that since I write about my marketing on Mondays, I should probably do the bulk of it on Monday (duh). So I made my list this morning, and I’ve been working through it today. The original plan isn’t going to work totally, because I was working through the list and had to contact some people, and now I’m waiting for them to get back to me. So that means more follow-up in the course of the week.

And that’s fine. The list-making and working with specific time segments really is making me more productive. I think what it’s going to mean is taking a 30-minute block of time each day and just devote it to loose ends for marketing.

I finally figured out how to work with Tophatter, and the first auction will be this Saturday at noon. The Artweb application is almost complete and up on line…rather late, since we were accepted about 3 months ago, but we had the trip in the way, and it wasn’t until I made it a priority on my list that I actually was able to do it. I updated my TAFA page, and I need to plan some time each week to become more involved in that art community.

If you haven’t looked into the Textile and Fiber Art List, you are missing a real treat – over 400 textile and fiber artists from around the world, with amazing hand-made items. The website is new (the group has been in existence for a while, but the site got a cosmetic make-over last year), extremely visual, and downright yummy in fiber.

The big news marketing-wise is a giveaway this Friday on the SewCalGal site, with my first tutorial on quilting marbled fabric. This should increase traffic to the Facebook business page, the blog, and the Etsy store, and I am hoping for some good suggestions that people have on using marbled fabrics.

Some of you may be interested in this marketing post by Joanne Mattera about uses for your time.

From the blog: “On top of a full workload in the studio and often an outside job, some artists seem to feel—or are peer-pressured into thinking—that it’s their responsibility to ‘educate the public.’  I’m talking about providing talks or demonstrations in conjunction with an exhibition or open studio, or even creating events specifically for education.”  Interesting and provocative.

Two weeks ago I did a marketing post about just getting in to the studio and making art….I’m pleased to say I have had an extremely productive two weeks! How about y’all?

There was a very interesting post on the Personal Excellence blog by Celestine Chua, called 10,000 Hours on Bejeweled. She also had an earlier post on the 10,000 hours, based on a book by Malcolm Gladwell, Outliers: The Story of Success. I found this really interesting. First, I misinterpreted the title and was thinking she had spent 10,000 hours on a video game. Turns out it is all about succeeding at what you are doing. From her article:

“… the “outliers” – i.e., the most successful people of the world, including sportsmen, business people, musicians and scientists, to understand key factors behind their success. He found the key denominator to all their success isn’t natural aptitude as many like to believe. Having a high IQ doesn’t guarantee success : There is supposedly no difference in people’s propensity to success beyond an IQ of 130. The key denominator is actually hard work. A lot of it, in fact. About 10,000 hours of it. That’s roughly 3 hours every day, for 10 consecutive years, before any one of them began to be defined as the ‘expert’ in their field.”

Wow. We tell people we’ve had our business up on line since 1997. We’ve pretty much been very small in all that time, but this year we are starting to see really good momentum. The reason? We are working at the business and the art every single day. When I was teaching, I was really limited to how much time I had for sewing, and how we could work a marbling session in on the weekends. We needed to put in the time in order to grow, and now we finally can.

It’s been almost a year since I retired (May 27). During that time I have:

* created and completed, including photography, a piece for a major art quilt show;

* created and completed two commissioned art quilts and three very large table runners;

* created fat quarters (a LOT of them) for a show in La Conner, Washington, including the trip there and back (this is something I never would have been able to do had I still been teaching full time);

* took apart three small quilts and requilted them to better showcase the use of marbled fabric in traditional quilting;

* had two art quilts accepted in to a new book on art quilting;

* took three classes from Quilt University (and completely finished two of the projects);

* took a marketing class on line;

* redesigned the blog and made cosmetic changes to the website;

* set up a site on Fine Art America;

* got the Etsy store to finally start making some money, especially with gift baskets;

* spent a month working through internet courses on Facebook, Twitter, Dreamweaver, LinkedIn and Bridge on lynda.com;

* have work to enter for three upcoming art quilt shows and three magazine deadlines for work;

* started the ebook by completing the first tutorial;

* marbled fabric at least twice a week (and sometimes more);

* completed four months of challenges on the Free Motion Quilting Challenge through Facebook;

* worked through some licensing materials to continue pursuing possibly licensing deals;

* revised our company portfolio, including new business cards;

* presented a demo to a quilt guild in the northwest part of the city;

* joined SAQA and attended my first meeting;

* created two out of four seasons for a new pattern line; and

* redesigned my studio, not once but twice, since we had an unexpected move happen in February.

The funny thing is, I feel like a lot of time has been wasted this year, and I don’t mean down-time to enjoy being retired. As I wrote yesterday, trying out this new Pomodoro technique really looks like it can up my productivity, and still leave me time to veg as needed. I anticipate a huge growth year ahead…if I put in 5 hours a day, 5 days a week…….that’s at least 1300 hours for this coming year, and I think I will be putting in more. I need to actually do the marketing on Mondays, since I post about it on that day. If I take one day for marketing, that leaves the rest of he week for actually making art…and that’s what is ultimately important.

I’m curious to hear from folks – how many hours are you putting in making art?

I’m completing my first week of using the Pomodoro Technique for organization. A former student posted this website on FB, since she was looking for a way to manage all her graduate studies and teaching. I checked it out……

Now I’ve been into reading organization information for many years (decades) now, especially since I am always looking for ways to help students with homework and assorted assignments. Most “techniques” I find are too gimmicky – you spend more time worrying about what the stages are and if you’ve done it correctly, rather than letting it help you actually do the work. Remember SQ3R? Most of us don’t (Study, question, read, (w)rite, review….I think). I realized it was a problem when one student said, so which R comes next? That’s not a good tool to use.

But people make money pushing these techniques, and Pomodoro has tools to use that you can purchase. You don’t need to, although I did get a simple kitchen timer from the dollar store. They’re right, I did like the ticking telling me I was working…..

Basic technique: you break up tasks into 25 minute blocks. It’s that simple. Now why 25? That seems to be a good working estimate of time to stay focused and get stuff accomplished. You get a short 5-6 minute break after this session. Sounds very reasonable, and I like the fact that this technique is taking brain research into account. Years ago at a professional development workshop, the presenter suggested setting “odd” numbers of amount of time to work on something. Rather than 15 or 30 minutes, which are so familiar we kind of blow them off, he suggested saying things like 13 minutes or 4 minutes. These are different, and our ears perk up at the mention of an unusual number, and consequently it seems to give the task more urgency.

I think that’s what happens with the Pomodoro block of 25 minutes. It’s different, and we know we get a break at the end of it. There is a way to organize yourself by setting your to-do list by the urgency of the task and the number of Pomodoros you think it will take to accomplish that task. On Monday this week I made my master list for the week, and it included some reminders for things for the next week, also. I starred what was critical, and then I started making the Monday list. Same for Tuesday through Friday. In fact, doing this blog post right now is its own Pomodoro (two Pomodoros for longer, more involved posts with pictures).

I got stuff done I didn’t think I would for the week. I can track where I spent my time, and as artists, this could be very valuable in determining how much time it actually took to complete a piece. Save your sheets and revel in just how much you got accomplished. Now I didn’t get obsessive with the short breaks and the longer breaks, but I have a much better feel for how I mcan maximize my time, especially my sewing time. It seems like the tasks or to-do list just just slip away from me. I have a very definite sense of accomplishment for the day, and ultimately for the week. It might be worth a perusal to see if you like it.

If you try it, let me know. I’m always curious as to organization systems that people use. Drop me a note!

As promised, here’s a look at Mary Fisher‘s studio in Sedona. From her website:

Mary Fisher is celebrated as an artist, activist, poet, and author. With bold techniques, intricate movements and splashing colors, Mary brings all the influences of her extraordinary life experiences into a seemingly single stroke. Her award winning fine art quilts, paintings, sculptures, and photographs are internationally collected by presidents, critics and corporations, galleries and museums, as well as commissioned for permanent installations in U.S. embassies and in the UN’s Geneva headquarters. Her quilt fabric and jewelry lines are embraced by wide audiences as being elegant, easy to live with and timeless. “Designed by Mary Fisher” signals an exuberant style that is instantly recognizable, the cause of conversation and joy.

Mary draws from her early studies at Cranbrook, her life in Paris, her continuous work with the village women in Africa, global travels, and the red rock mountains of her home studio in America’s primitive Southwest. Her work combines her passion for the textures of indigenous craft, the finesse of the classics, the spontaneity of primitives, the vibrancy of cultural art with the serenity of minimalist ancients. The result is “Collection Origins”, a timeless look that is both sophisticated and comfortably contemporary.

Because of  the open studios, we got to see up close and personal what this amazing woman does. My mouth was hanging open the whole time, and it suddenly dawned on me to ask if I could take photos. I would never even be able to explain the amount of “stuff” to make art. It’s EVERYWHERE. And she does EVERYTHING. Paper, block printing, painting….you name it. So sit back, enjoy, and drool…..

The “wet” side of the studio….paints, papers, dye stuffs – you name it!

Transitioning between spaces – a quilt hanging system.

Huge wet area.

Block printing, brushes, paint…at this point I so want to try everything!

I snapped some pictures just to see her journals and what she was reading.

Large sinks…and a huge in-the-floor drainage area.

Artwork abounds – this was paper.

I loved all the different artist license plates.

More  books.

Aren’t you just curious as to all the titles? And there were MANY more books.

Luscious yarns and embellishments all over!

Part of the retail end of the studio. All proceeds go back to Africa.

Beads and findings and more.

Looking toward the back, with her fabric lines,

I thought the way to display the jewelry was extremely clever.

One of several very large work spaces.

WALLS of thread….

And a long arm….

More wonderful artwork. The hanging system was ingenious.

Somehow I missed the three shelves of sewing machines……my parting comment to hubby was to NEVER complain again about how much stuff I have.

Truly inspirational. In fact, a small piece I am working on today for the SAQA auction had me digging through the yarns and ribbons I have to see about an unusual binding. MOre on that later. For now, just enjoy.

When we were on our trip to Seattle, we didn’t have a lot of time (coming or going) to do our favorite activity – browse galleries and talk to artists. When we went to Sedona this past weekend, it was high on our list, and we were not disappointed. First up was the Native American artists at the lookout at the top of Oak Creek Canyon. These artists are all certified by the Native Americans for Community Action, and the work is wonderful. We enjoy seeing the contemporary designs in jewelry that have a rich heritage behind them.

“ Overlook Program: A significant development for NACA was the establishment of a partnership with the United States Forest Service, Coconino National Forest for a project called the Oak Creek Vista Overlook project. Beginning in 1988, the Overlook Project is an economic development program that allows Native Americans artisans to sell their arts, crafts and jewelry at the prime tourist location. This program has grown in popularity and reputation each year. To date this year, 280 vendors have registered to sell their crafts. For many of the vendor, money made through the Overlook is their major source of income.“

We bought a plate by a Navaho artist that depicts a wolf, one of hubby’s protective animals. While I love all the jewelry, I really don’t wear much – but I do so enjoy looking. And it was a gorgeous day on the rim, with a light breeze and absolutely gorgeous views.

From Stock Photo, Scott Prokop

We strolled the Hyatt galleries in Sedona, especially our favorite, Visions Art Gallery. The glass chandeliers are always spectacular.

www.ulladarni.com

One of my favorite artists is Alexei Butirskiy. You feel like you are in his paintings.

I also like Eyvind Earle. This is Crimson Eucalyptus.

The Lou DeSerio Gallery has wonderful photographs by both father and son. You need to spend some time looking at their work, especially of amazing Sedona.

We also spent some time at a small art fair in West Sedona. Gabriel and Jennifer Ayala had some really great copper sculptures. The copper weavings are quite interesting, and all completed by hand.

All-a-Glow Jewelry has some great wire work.

This was also Open Studios weekend in Sedona. On Sunday morning we visited two fiber artists, Margaret Anderson and Mary Fisher. Margaret’s work is luminous. She uses silk and cotton as a surface for paint, rather than canvas. She’s been in Visions, Dairy Barn, and Linda Seward’s book on art quilts.

Wildfire, Margaret Anderson

I’m saving the best for last…Mary Fisher’s studio. Check her amazing studio on tomorrow’s blog.

A couple of days off to visit friends in Sedona, so I’m playing catch-up on blogs. I have some great sites and info to share from this trip, so stay posted for some new artists.  For this week so far, an amazing video by a “destination photographer,” Shawn Reeder, on Yosemite. Go check this out!

A very cool look at old/out-of-date art supplies: The Museum of Forgotten Art Supplies.…..I still have a bunch of these…..

This next is a panorama view of Paris from a bird’s-eye view on the Eiffel Tower. Pretty amazing…I watched for about 10 minutes before I started to get dizzy. I SO want to get to Paris. Be sure to try all the buttons on the bottom.

Ever had one of “those” weeks, especially as a female? The Bst Article Every Day has it captured perfectly….and this is just the beginning………

An arts advocacy organization – the Western States Arts Advocacy. From their website:

“Celebrating the Western Imagination through the Arts
The Western States Arts Federation (WESTAF) is a regional non-profit arts service organization dedicated to the creative advancement and preservation of the arts.
WESTAF encourages the creative development and preservation of the arts regionally and through a national network of clients and alliances. WESTAF fulfills its mission to strengthen the financial, organizational, and cultural policy infrastructure of the arts in the West by developing and providing innovative programs and services, technology solutions, funding opportunities, advocacy and cultural policy work, and other services.
Founded in 1974, WESTAF is located in Denver and is governed by a 22-member board of trustees that comprises arts leaders in the West. WESTAF serves the largest constituent territory of the six U.S. regional arts organizations that includes the state arts agencies, artists, and arts organizations of Alaska, Arizona, California, Colorado, Hawaii, Idaho, Montana, Nevada, New Mexico, Oregon, Utah, Washington, and Wyoming.”

R.I.P. Maurice Sendak, whose influence shows in some surprising areas…..one student was diagnosed as color-blind because he could always see where the wild things were. His books will live on. It’s a good video, worth the time.

“In this unexpectedly candid 2004 interview, Sendak reveals some of the early childhood memories and surprisingly dark influences behind his work. Shaped by immigrant parents and the tragedy of the Holocaust, Sendak provides frank insight into his complicated psyche and a rare window into the soul of an acclaimed artist. He also discusses how he shaped the character of Max, the mischievous lead in his blockbuster book, and what he might have been like as an adult.”

From Joetta Maue comes an interesting post on a fiber artist, Ernesto Neto, an artist I’m unfamiliar with, and one with some very interesting fiber work. See the person inside?

Belated, yes, but some amazing photos from JPG Magazine on Earth Day.

Carbon Footprint by Debbie Hartley

Eye candy from Joen Wolfrom, as she tours a quilt show in  Brooking, South Dakota.

And finally, if you’re a fan of Monty Python, then you will appreciate this exchange between John Cleese and a newspaper who misquoted him, from Letters of Note. Love the sarcasm!

Enjoy your week – let me know what you find on line that’s unique and different!

  Now let me preface this by saying I watched the very first “Survivor,” and I found it compelling, disturbing, and my summer’s guilty pleasure. I remember thinking – and saying to a few folks – that I hoped they had counseling available for some of these people. Rudy was interesting, homophobic, but he came around. Richard was your classic evil corporate business person. Ageism was an issue from the beginning, and Susan was articulate.

I watched another season, with Colby and the one woman whose name escapes me who became the first classic villain. But then it just became contrived…and disturbing, like the camera man who continued to film after the contestant fell in the fire…and then Coach with his attitude, and Russell…..oh, don’t get me started on Russell…….

Mostly I didn’t watch any more. I didn’t need to see a character like Russell get that much air time. There’s enough slime in the world that I don’t need to needlessly submit myself to more. But every now and then I see a clip from a new season…and I notice Coach is back, and some character who reveals that Russell is his uncle. Brandon was a cry-baby. People, if you’re going to be on the show, know what to expect. And, bottom line, God is too busy with real problems to care whether or not your team wins a challenge. That whole season with the religion card was just too much to watch, and I gave up on it. Can’t imagine how Cochran is doing as a lawyer after all that…..any good attorney would be able to promise him anything.

But I got suckered in to watching a few episodes this season…and there’s Cat, a spoiled 22-year-old, who is dimmer than a 30-watt bulb. She’s selfish and whiny, which is why she gets all the air time. Enough already…..there are too many more important things in life that this waste of air time.

Most TV watching these days is limited to NCIS, Glee, Big Bang, PBS, and a lot of British series through Netflix. Although I really would rather be in the studio, and that’s what I’ve been doing more and more.

I’m curious…am I the only one? What’s actually worth watching these days? (I know, I’ve got to get on the Downton Abbey bandwagon….)

Busy week! The commission piece (the triptych that wasn’t) is done, awaiting beading. As I was on the floor at yoga last Friday, I was looking at a very skinny part of the wall and thought, this would be perfect for a long piece. On Thursday night I had started the stitching on the lichen, and I absolutely loved the way they worked out, and I no longer wanted to cut the piece into three. This skinny wall section will be perfect. So over the weekend I steamed and blocked the piece, got the binding on and hand-stitched down. Love it! Took it to yoga on Monday to show her, and she is thrilled. The only thing needed at this point is some blue beads along the “stream” to add an additional color and bring the piece together. Formal pictures next week when the beading is done.

Also completed are two new fiber bowls for my gift baskets of marbled fabrics, set to go up in the Etsy store. We’re doing pictures later today so I can get the stuff up in the store. Wrapping clothesline with fabric is the absolutely perfect activity for watching television at night.

And…I am finally starting another major piece that has been brewing for a couple of months. I’ve had the backing since October, and the marbled fabric was done in September. I finally got the batting two weeks ago, and today I made the sandwich, chose thread, and started the quilting. It’s sort of a whole cloth, but not really. There’s no piecing at this point until this center medallion is done, and then I’ll just kind of see what happens. This seems to be the way I work….intuitively, guessing along the way, trial and error. Most of the time it works.

Here’s the first focus fabric….very “brain-looking,” and I’m approaching it as though these were dendrites in the brain. Doing a thread check –

– going for the one on the top, as I like the black section in the thread…looks like the nerve endings are skipping, which is the look I want. The lower thread will be in the bobbin.

I started the stitching, and then I took everything out – not happy with tension, and I wanted to analyze the pattern yet again.

This picture, when I saw it through the view screen of the camera, made me somewhat upset. I couldn’t see the discrimination of the black and the blue through my own eyes. I am having to look at it through a photo, so I know where I want to stitch. THis is the first time that I am aware of my eyes not being true to what I am seeing and want to do. Doesn’t make me happy…..

So I took my own advice from the Monday Marketing post to just get in there and do the work…I did, and I have a lot to show for it, with more to come.