Archive for the ‘creativity’ Category

Spending some time getting caught up with blogs….and wondering why Google burps up – on a regular basis – blogs I’ve deleted. There is enough OCD in me to want to keep my list clean. I think I may have discovered a permanent way to fix this….we shall see. But a lot of interesting stuff this week!

From NBC News, the diver who saved the dolphin.

Fractals – built from business cards – what a great student math activity this would be!

A lot of interesting stuff from the 365 Project. First up – tips for winter landscaping photography

Here’s some more amazing photography:

Fire and Ice, Jake Sorenson

A Muppet spoof on Downton Abbey – LOVE Lady Violet!

Quilling – an amazing technique, and check these out. Gorgeous!! Quilled Paper Anatomy by Lisa Nilsson

Alison Schwabe’s blog has a story about the tent makers of Cairo – absolutely fascinating. I would love to see the finished documentary.

The Textile and Fiber Art List is three years old! Here’s a celebratory video of over 400 artists and a sample of their work. Amazing eye candy!

Art Quilts Around the World just finished their new challenge – Portraits. (and yes, I’m one of them….) Loved looking through all the entries and overflowing with ideas!

And finally, a 360 degree look – from occipital.com. 360Verse. Very interesting.

Have a great week!!

 This week of 52 Sparks had a really interesting question that I pondered a bit. The question: How do you appreciate yourself? I had to think long and hard about this one. I think I was confusing appreciation with approval, and it took me the longest time over the years to not worry about family approval. I needed to start appreciating me for me, and what I did and succeeded at because I was pleased, not someone else…..kinda rambling, but I hope it makes sense.

Appreciation: I go for walks to think about what I’m doing, I take time off to read – some times days at a time to just immerse myself in some books. Mostly, though, I appreciate myself by giving myself free rein to make art. And with retirement, I am taking more time to appreciate what I’m learning and creating. In fact, three new commissions over this week. It is just so delightful to quilt away for hours (with the occasional back break) and see the progress.

That said, here’s what happened with art this week. Last time I had the stencil traced on to the green fabric in preparation for my first whole quilt. Now all I need to do is square it off and bind it. I LOVE IT!!!! I NEVER thought I would be able to free motion a whole cloth. Yay me!

So here they are – better pics when the binding is finished.

 All are Superior Threads, Bottom Line in bobbin, Silk Kimono in background, and Fantastic variegated in the design.

This was an interesting question this week: How do you feel when you are by yourself?

I spend a huge amount of time time by myself, usually working on something artistic. It seems like I have always been by myself growing up…and yet, you can never be by yourself when you have a good book. And that is still true.

But I never had a lot of friends. I am quite the introvert, so moving to something artistic just seemed a natural. I think my introversion became even stronger, given my position in a family of extroverts, coupled with emotional abuse. So I am accustomed to being by myself. My husband and I do most everything together – we are each other’s best friend. The fact that we can – and do – work at art together is a great plus for us.

I can remember my dad asking me how I was, one time when he came to visit. I said I was lonely. I did a lot of things by myself, and I could always read, but I think it was more a case of seeing friends with others of the opposite sex, and I would wonder what was wrong with me. I finally decided if I was going to be single, then it would not keep my from doing whatever I wanted to do.  Alone can be very good – I get a lot of work done on fiber pieces, a lot of planning. Especially with retirement. So when I do have “alone” time, I plan projects or lose myself in a good book.

So since I haven’t started something new, I decided to try a “whole cloth” quilt because of the class I’m taking on Craftsy with Cindy Needham. I had the really great stencil from about 12 years ago…..I finally found where I had “stored” it. I pulled a green piece with some interesting tonal print to see what would happen. Here’s the latest “in progress:”

Of course, most of the yellow marker has already rubbed off…….

The Textile and Fiber Art List is rapidly becoming the “go to” place online for glorious handmade textiles and fibers – from around the world! Feast you eyes on these members:

“I believe a work of art bears the stamp of individuality and the national bearing of its creator when it springs from inner self and is devoid of any pretensions. Being from India, a country with an extremely rich heritage of Art and Culture, I have always had a deep-rooted attachment to traditional art forms of India and owe some of my stylization to the captivating traditional patterns and the rich array of colors. Adapting to Western Styles and techniques, combining them with my lifelong fascination for ethnic arts around the world, have all been a melting pot for me to create a multicultural ‘canvas’. I got my BFA from the International University, Visva-Bharati at Shantiniketan in India founded by the poet, writer, painter, musician, educationist, philosopher, Nobel Laureate (Literature) Rabindranath Tagore. The education at this unique university, during my formative years as an artist, have had a profound influence on my life, mind and my creative abilities. In my everyday life, my escape, my retreat, is my creative power of Art. My work is indigenous to my inner self, and is a place of solitude, passion and contemplation for me. The final offering is the culmination of a series of wordless conversations between me and my artwork. The subject matter of my work is drawn from my own life experiences, trips, thoughts and surroundings. My art is like a journey for me through the passage of time honored techniques, traditions and influences in an endeavor to produce art for everyone to appreciate. I feel like my journey has just begun and I have a long way to go…” Boisali Biswas

“Botanical Colors is the online site for selling high quality, vibrant natural dyes and supplies. Natural dyes are the ancient textile colorants that were used by cultures all over the world before synthetic and petrochemical dyestuffs were developed in the mid-1800s. The colors are beautiful, rich and glowing and each color can be linked to a fascinating tale of discovery, ritual and use by different peoples throughout history. Every color in the natural dye palette has a story. Botanical Colors strives to offer the finest environmentally sound natural dyes for textiles, paper, wood and other natural materials. We have personally dyed thousands of pounds of fibers with natural dyes and continue to be excited and thrilled by the amazing beauty of these colorants. Every purchase of our natural dyes benefits a small producer or community and helps maintain a traditional way of life. Botanical Colors

“I am french, living in Marrakech since 2004 and I became an important wholesaler of carpets and rugs from Morocco ; I am specialized in the vintage berber rugs called boucherouite ( www.boucherouite.net) and the white carpets and wedding blankets ( BENI OUARAIN, AZILAL, HANDIRA ) ; I export all over the world to the trade and art galleries but also to private people.” Boucherouite Rag Rugs

“I’m an art quilter. My quilts are small to medium in size, perfect for interior decoration. I’m always interested in selling and exhibiting my works. I also have a few collections of bags, ornaments and textile jewelery. Yes, I’m open for commissions too.” Bozena Wojtaszek

Braid and Stitch

“Back in the 70′s, sewing was not really a lucrative venture then, and dress makers in Ghana really never made that much money which led me to focus more on schooling to become a Journalist. After moving to America I discovered that Art and creativity paid a lot here if you had the right market audience, but it actually took me a lot more years to follow my childhood dream. The current works on this website depict a lot of Africa. I love the vibrant colors of African fabrics and how they pop to the eye, most of my quilts tell a story, and a lot of my story’s represent my African heritage which I carry with me every where I go, I feel when a quilt does not tell a story no matter how simple it might be it really does not have value, since quilts of old were sentimental pieces. My quilts sing and dance a lot to the viewer, and have lots of character and dimension as well as a very unique look which are the differences my choices of fabric make. Beading and painting really accentuate my work. At Braid and Stitch we are open to make commissioned art quilts, specifically to fit a buyers description, dimensions and taste, no works are ever made the same in order to promote uniqueness in our work. In the near future there will be a wearable art line which will be in Ethnic vein.” Braid and Stitch

ENJOY!!

Wow. I have written 800 blog posts since I started some years ago…..January of 2007. I figured I’d keep the blog just for posting with the Photoshop class I was taking, but I’ve come to really enjoy writing and reflecting. Like a diary, which I could never seem to do when I was younger. But now I can look back, see how my art has grown, reflect on different pieces. It is amusing to see some of the very beginning Photoshop pieces: I was pretty thrilled with that first attempt….little did I know what I still needed to learn about layers!

This next taught me a lot about luminescence, even though I didn’t know it at the time!

I really liked the examples I first posted some 6 years ago. I look at tyhem now and see that part of why I liked them was that they really showed some of the principles of design. I just didn’t know it at the time.

I’ve also been able to document a lot of our marbling through the web page, and I do need to do more of that, since we are building our audience significantly. That said, here’s a look at just one of the pieces we turned out on Tuesday this week.

Putting the layers of paint on the carrageenan size:

Starting the pattern with our personally-made “high tech” tools:

The nonpareil pattern – a very traditional pattern created after about four previous steps:

Looking at the pattern from the back side, after the fabric (on orange Kona cotton) had been laid on the size:

Here it is from the front:

It’s been a good week!

Sometimes it takes two weeks to collect everything, but I always find some gems – I LOVE the internet!

From the 365 Project comes another gorgeous set of photos…some of them very subtle and delicate.

Untitled, by Anna

One of the amazing people I adore – Sidney Poitier, from Letters of Note:

From Raymond Houston comes a free download for a circular Celtic knot. This would make a great Christmas wreath, and I LOVE the fact that he analyzed a blog post that was very popular to see what people were looking at. I gotta try this in marbled fabric next year!

Since most of us are dealing with cold weather right now (in the desert it was 18 F today – REALLY cold for us!), here’s an interesting video of boiling water freezing almost instantly…..and the accompanying science article to explain it.

A teacher friend of mine is looking for some online lessons to help teach punctuation……and here’s my absolutely favorite one. Some of you will remember this – the immortal Victor Borge….

Another cool artist and how he does it – disappearing into the background……The link will take you to Liu Bolin – can’t seem to embed this one…..then go to this new link to see some additional photos of his work. (Look for his shoes at the bottom….)

 Very clever idea on creating a photo booth – would be great for kids’ parties! From Alisa Burke, who does very cool things!

Readers of these posts know I love the 365 Project. They have a post up on motivating and organizing yourself to participate in the project. Some great ideas for photographers.

I LOVE flash mobs – even if they are commercials – I nearly always get teary eyed. Here’s one from T-Mobile….

And finally, Star Trek fans – did you know Dr. Martin Luther King, Jr. was a fan? Think of how the series would have changed if he had not talked Uhuru into staying…….

Have a great week! Send me cool stuff you find online!

The Textile and Fiber Art List has been down for a while, with massive server problems. But now, it’s time for more eye candy to warm the rest of January!. Enjoy – be sure to visit these great artists!

Week Three of Dale Anne Potter’s 52 Sparks asks about our favorite color. I’ve had an interesting week thinking about this one. My first thought was purple, as I wear that color a lot. And…I have a lot of purple in my fabric stash. But the more I thought about it, the more I kept going back to basic black.

Growing up I did a lot of work with pen and ink, as well as charcoal. In fact, the year I was 14 for Christmas I gave my father a drawing I had done from a holiday card. This was the old-style pen and having to load the India ink each time. He had it framed, and it eventually passed to me when he died and my mother remarried. There are times when it looks vary amateurish, and times when I see the perspective and the light sources. I still like the piece. Here it is:

There is something so basic and stark about working in black and white. I was very linear when growing up, and as a naive, young adult, a lot of life was black-and-white, with few shades of gray. That has certainly changed!

In college I had to buy a black dress for orchestra performances, and I have always loved the idea of the “little black dress.” Wearing black and white in the summers was a favorite, and I was delighted to learn in the 70’s that I was a “winter,” and crayon colors were perfect for me. But I have also realized I wore a lot of black when I was teaching. It’s a great discipline color, and it was a staple in my wardrobe, and I could mix and match just about anything.

Speaking of wardrobes, black also is slimming, so that’s another reason why I have so much of it – accented with purple, of course.

I don’t hesitate to use black when needed in my artwork, and of course I love doing zentangles. Last week I showed the beginning of the zentangle – in glorious black and white – that I have started as the first step in a piece for an art show. After three days of a lot of intense, fine work, my zentangle is approaching completing, and then I can go on to the next stage. Here it is, as I’ve started to square off the sides, and not too much to finish.

I wear red, I wear purple, but I am still drawn to black…even if I don’t have to worry about discipline any more.

Yes, I am finishing things, some of which I can’t show yet, but I do have an “oldie but goodie” from the far past, from at least 25 years ago…….this is an afghan I made of a teacher colleague for her first child. She sent me a picture a few weeks ago, and I can picture exactly where I was in Phoenix making this little bear. The bear has now been passed on to a grand-child, so it’s good to know Bear won’t be lonely. I didn’t have a picture of this, as it was WAY before I started documenting my work. So thanks, Ann, for sending him along to me!

Also completed and never photographed (and needs to go under “early quilts” on the website) is my purple quilt – a really original title. This quilt happened in several stages. First, I did the basic blocks as part of a different quilt I was trying to design. There were 9 blocks, 5 of one design and 4 of another. Probably five years after originally making the blocks, I sashed them and then added a very geometric print for a border. This was the first time I actually started mixing some prints with the marbled fabrics. I did some beading, but I probably need to go back and re-do because I certainly didn’t do the beading well. What I particularly like is the secondary design in the blocks, where the marbled fabric actually looks like it is swirling.

Another completed project – the dresser scarf for hubby, based on what I’m learning in the Craftsy class with Cindy Needham. I may decide to take the serged edging off and replace it with binding to eliminate the curl on the edges. But it has been a great practice piece. Now I need to finish mine…….

I love how the cathedral window quilting works with the hand-dyed fabric.

This next is a work in progress, a type of self-portrait, but my own distinct version of it. Think of “marbled end pages of a book.” More to come the end of January……

This is a snapshot of a quilt completed for a customer, where the quilter did this A.MA.ZING. quilting. I can only hope to aspire to this level of free motion quilting….from Green Fairy Quilting. You have to check out the blog and see all the close-ups……drooling…….

This has been a very busy couple of months, and I am into a lot of planning for this coming year. Here are a couple of articles that might be helpful as you look ahead to what you want to accomplish for 2013.

From the artbizblog and Alyson Stanfield comes a 5-step plan for generating income for 2013.  I think a lot of us forget about step one, analyzing your income for the previous year. This should help drive some of your goals for the new year.

From Dumb Little Man comes 88 Simple New Year’s Resolutions. These cover a wide range of categories, and you should find a couple that will work for you. Here are just a couple:

 I like number 29 – I am slowly getting through my unfinished quilt projects, especially since I am using them as practice pieces for all the new free motion quilting I have been learning. And concerning TV – well, there’s not a whole lot on that’s really worthwhile – I’d rather be in a book.

This last is something I am going to focus on this year. Harriete gives LOADS of useful web and design advice, and this one is about correctly tagging our images we have on line. Since I have redone the website, I need to address these. She has four tips for improving searches on your images.

 In other marketing news on this end, I am getting the newsletter ready to go out with announcements about our “Fabric of the Month offerings this year. The Etsy store has been restocked….well, we’re marbling like crazy to get new fabric available. We are planning for Seattle, as well as a magazine article that will come out in March. One of my goals this year is to get a better handle on using social media….at least, I’m thinking I can……

I’m participating in Dale Anne Potter’s weekly art journaling project for this year. This week’s prompt was “Right now – what drives you?”

I spent a lot of time this week processing that. Travel certainly is a driving factor, and I want to try and get as much in as possible in the next few years. But…on a day to day basis, I’d say it has to be creating with fabric. It’s not all art, but a good chunk of it turns into something pretty wonderful. And I find I am really trying to get as much art time in as possible, what with trying new ideas, redoing old ones, and just generally learning more about materials, fabrics, and techniques.

That said, I was looking at the lists I’ve developed on year-long projects, month-long projects, and weekly tasks. For the last two years I haven’t entered Fish Follies because I haven’t gotten anything new made. I had a fabulous idea last year, but the deadline was as we were coming back from StashFest in La Conner. I had the who piece worked out in my head, but the very first piece would be creating the zentangle artwork that I would need as the base for all the fish.

So as I’m looking at my lists today and contemplating writing about this question, when it occurs to me to just start doing the basic artwork. Start on it, so I can see the progress and realize I really am working on creating, not just reading the lists. I figured if I created the zentangle on a large sketchpad piece of paper, then scan it, I could create the fish I needed and they wouldn’t all be exactly the same. So two hours later, here’s what I have so far….and a long way to go before this part is completed……

Lots more to go, and it will be interesting to see how it photographs – I think it will be too large for the scanner, but at least each of my fish will look very different.

What I like about this prompt this week is the sense of commitment to creating, and when I combine it with my word for the year – optimistic – it feels like a really good fit!

Getting Organized – Part 4: The Brain Dump

Okay, so my middle grade students would say I could bring any topic at all back to dinosaur poop and pee. But the Brain Dump is different, and it’s highly useful. I’ve been doing this at least once a month (sometimes more) for the last year, and it has really helped me organize myself. I find that as I start planning for this coming year, before I can do my backplanning, I’ve had to do a serious brain dump and keep the paper close at hand for other loose ends that float to the top.

The idea of a brain dump is to sit with a blank sheet of paper and list everything – and I mean EVERYTHING – that you need to do, whether it is urgent or not. Don’t worry about order, don’t worry about whether things go together, don’t whether about if it’s several weeks away. JUST WRITE IT DOWN.

The advantage to this is to give your brain a break and a rest. Once you take everything that you are trying to keep straight in your brain OUT of it, you don’t have to worry about remembering it all. Now it’s down on paper, and you don’t have to keep thinking about that particular task, and the next one, and three more after that. It’s incredibly freeing and sets you up to be able to make sense of what needs to be done to accomplish goals.

Here are two examples of a couple of sheets I started with on January 1, as I plan out my month and my first quarter, as well as some longer-term objectives. I collected past sheets that still had items listed, and I started a new sheet with some of the newer items arising as a result of the new year.

Nothing is in any order. My main goal is to free up my mind from worry. I want to have everything laid out so I can use these lists to organize.  I realized yesterday as I was working on one particular area, that I really couldn’t just go into the backplanning process without doing this. Now, keep in mind this might not work for you, but I urge you to try it and see if you can relax a bit about getting things done without forgetting them.

I would love for you to share your thoughts – and lists – if you try this activity. Any suggestions for improving the process?

  I’ve always been known as an optimist, and since I only see out of one eye now, it seems that “cock-eyed” is appropriate. I have been mulling over a bunch of words for the year: liberate, enthusiastic, positive, optimistic, focus, abundance, willing. I do want to be more positive, as I have been sinking down somewhat this past year and worrying more. But it seems, as I review everything, that “optimistic” covers a lot more ground than “positive.” I feel that “optimistic” encompasses the whole year in a more vibrant, inclusive way than “positive.”

I’ve marked all my new moon dates in my calendar so I will be sure to write my abundance checks. And there is a bit of mathematics in “optimistic.” For the last three years, the business has been growing each year, a little more. This past year saw about a 75% increase in sales and opportunities, and already the possibilities for this coming year are increasing….exponentially. With the exponential growth model, things start out increasing very slowly, and then grow very rapidly. If I were to actually model business income for the last three years, I would see exponential growth at the very beginning. So I am optimistic that the growth will continue and will pick up pace. I’m putting in the time and doing what I need to, so optimistic really does describe how I want to approach the year.

I am committing to two year-long activities (which is a 100% increase in what I committed to last year – the Free Motion Quilting Challenge). The first is part of Art Quilts Around the World, with a total of six two-month challenges of art quilts for the year. The first one is about completed, and I did struggle with it, but I learned a lot. I’ll do a blog post when it’s reveal time. The second is participating in Dale Anne Potter’s 52 Sparks. This is journaling a response to a specific question and creating a piece of art along with it – each week.

This is definitely breaking out of my comfort zone. I am getting used to writing a lot (hey, I am at nearly 800 blog posts), but I usually don’t try and create artwork to go along with it. As part of “optimistic,” I was thinking about what I could do for art. The idea of “is the glass half-empty or half-full” came to mind, and I’m always the one who sees the glass as half-full. So I thought about doing some sketching of a glass. A very long time ago I used to work in charcoal, and it occurred to me that using charcoal again would be quite the risk, especially as I am not always confident with my sketching.

I noticed a number of things in the sketching. First was extreme tentativeness. I haven’t held charcoal in a very long time. I really studied the wine glass I set out. I wondered about how to capture the light in the glass and the cuts in the crystal. Finally I just started and got a good beginning oval. I left blank some spots where the light seemed to make the glass transparent. I got the basic shape of the top, but my proportions are seriously off on the bottom half of the glass. I really got hung up on how it didn’t look like the glass, that the stem wasn’t as long as it should be.

Then I started using my finger for blending, adding details, and the next thing I know, I have captured some of the essence of the glass. It is definitely fragile, a bit tipsy, and delicate. I found I wasn’t looking at what I thought was wrong with the glass, but what I found interesting and true in the drawing. That is a major breakthrough for me. And I really liked the charcoal. I will continue with that for a medium for a while. Here’s my finished piece:

The use of different media should be something I try this year. Crayons, markers, ink pens, water colors…I have them all, and I don’t use them. I think I need to push myself with something new – maybe a different medium each month.

That said, I think I want to add another year-long piece to my goals, that of creating a 12 x 12 piece each month as part of the online gallery I am in: Galleribba.

I have been busy working on goals and lists and loose ends, but I must say, four days into the year, that I am certainly optimistic about a really good 361 days left.

A busy week, no question about it! Since we are leaving for a few days away and up in Sedona, I had a long list of things that needed to be finished before we left. I’m happy to say I got it ALL done….as well as start the list for next weekend! Cannot stay idle – too many projects to do!

First up is part of an order we really can’t say too much about, but we sent off a load of marbled ribbons to Manhattan for a magazine shoot coming up. When we can say more, we will….it’s pretty cool…..

And…as part of the ongoing table runner project for my second mom, I finished the last of the 5 table runners and delivered it in time for set-up for Thanksgiving. I am finished with old white polyester, but the runners did work out beautifully. This last one was really hard on the eyes, so I only did three motifs, rather than the five. I extended the size by making the connecting pieces wider, and then I went to town on feathers. Love doing feathers, especially since I never figured I’d ever be able to do them. This was the one delivered in June.

This is the last of the five.

And…I finished the makeover of my Christmas quilt.  I learned a great deal. I still have to work at the trapunto, but my goal with this makeover was to get the star blocks to be the prominent feature of the quilt. I did three kinds of stippling, from micro to very large. And I did bobbin work for the first time, using the Razzle Dazzle thread from Superior. I picked up a small Christmas tree stencil, traced it on the back (and learned I need some new markers), and then quilted with the front facing down on the machine. It worked really well and I love the effect. I am planning to add a few beads as tree ornaments when I get a chance. I did a lot of machine quilting on the marbled centers of the stars, on the nonpareil pattern. I can tell I have definitely done a lot of machine quilting this year, because it was far easier to follow the pattern than it has been in the past. I now understand what quilters mean when they say “pedal to the metal,” as I was  very speedy with the tiny and medium stippling. I also tried a new pattern in the border and it was moderately successful. Again, fast speed, and from a distance you really can’t tell that a lot of it is uneven. I liked the pattern. Here she be:

Oh, for an endless amount of money to spend on art! TAFA is like my own private store, and I WANT WANT WANT everything I see. Enjoy these new artists this week.

From Hana: “Weaving technology is the use of woolen thread on mesh canvas with the aid of a hook. The weaving in itself is accomplished in free flow on a direct path from the “picture in one’s mind” to the canvas, without a previously drawn sketch on paper or canvas. This type of work enables maximum spontaneity and allows for a free flow of mood and color within the framework of the subject on the one hand (desert landscape for example) but on the other hand, enables the carpet to evolve and “breathe” in the process of its creation. In addition to weaving wall carpets I also paint, mostly oil on canvas but I use other techniques as well. My paintings are strictly figurative and very different from my carpets. While the carpets essentially try to convey the mood of a landscape through the free and more abstract use of form and color the paintings are either portraits or still life scenes that emphasize the composition of the scene or the mood of the person in the portrait. The colors I use in the paintings are not as bright as those I use in the carpets and they have a more introvert and subdued nature.” Woolscapes

From Wil Opio Oguta :”Inspiration for the quilts I make comes from a variety of sources. It can be nature, an expression, a color or a material. For most of my quilts I use my own hand dyed fabric. My quilts can be very colorful or simply black and white. I work in a contemporary style, but have no objection at all to incorporating traditional blocks. Often I use raw edge appliqué, but don’t be surprised if I switch techniques for another quilt. I love working with fiber, but if the quilt wants/needs it, I add other materials to it. This can be bark, buttons, lutrador and paint. It all depends on what I feel is needed. For me, making art quilts is a way of expressing what I see, translating the world into fabric and fibers, emphasizing/focusing on what is important to me and to show you how I feel about it.” WilOpioOguta

From Kim Buchheit: “Kim is a designer and artist living and working in Grand Canyon National Park. Her love of felt is rooted in an affection for its understated beauty, a fondness for the old-world craft of felt-making, and the simple earth-and animal-friendly nature of the materials used in the process.” Wildly Woolly

From Wen Redmond: “I am quite passionate about my work. I continue to explore my chosen medium, fabric, to see what it can do, to stretch its perception as art medium. When I work, I encourage a collaborative process with spirit or my higher self, that mind-boggling principle of the universe. This process can also be called ‘flow’. When you are in this state of mind, the intuitive is tapped and the work can become more than the sum of it’s parts. I work out insights, inspirations, feelings and reactions to the outer world. Allowing time for these inspirations to percolate up from my unconscious is a vital part of my process. Each piece is wrought individually and is one of a kind. These include original photographs, artistically manipulated, printed on prepared fabrics and various textile substrates. The works can include painting, dying, stamping screen-printing, mono printing and other means of surface design. Among a variety of presentations, I created an innovative technique, Holographic Images, employing photographs on silk organza to create a unique 3-D effect. Layers peeled back reveal the source, the inspiration, and my mad desire to capture thoughts, dreams and the beauty of nature. ” Wen Redmond

From Salley Mavor: ” have had a life-long fascination with little things and needlework. Toward the end of art school, I rediscovered my childhood delight in sewing and creating miniature scenes. Leaving traditional illustration mediums behind, but still interested in narrative work, I taught myself stitching and fiber art techniques. For me, manipulating materials with my hands with a needle and thread was so much more satisfying than rendering with a pencil or brush. I found that I could communicate my ideas more clearly this way and that my hands would direct me in a compelling way. My early pieces were soft sculpture, and then turned flatter, with raised figures and objects on a fabric background. I came up with the term “fabric relief” in 1982 to better describe my evolving technique. My 3-dimentional pictures resemble miniature, shallow stage sets, with scenery, props and characters telling a story. I embroider, wrap, appliqué and paint different materials and found objects to create scenes in relief, with figures imposed on an embellished fabric background. My work is decorative and detailed, full of patterns from nature, all stitched by hand. For the past 20 years, I’ve been working in the field of illustration, making artwork which is then photographed and printed in children’s books. The original fabric relief pictures have a second life when they are mounted and framed under glass in shadow boxes, ready to display as individual pieces. ” Wee Folk Studio