Archive for the ‘marbling’ Category

Busy week! I’ve been dutifully getting a list made each day, and I am being pretty successful at accomplishing everything. The biggest news….I FINALLY have all the names entered to be able to start the newsletter. Next week it should arrive in your mailboxes….a mere 16 months after the last one. I’ma workin’ on it……

Here’s a couple of pictures of what’s been happening this week. We are waiting on about 10 years of pima cotton to get started on our next big order, as well as a large order of paints. Meantime, hubby is planning to marble some small test pieces for a couple of projects. First up, a piece of linen that has wax on it. We met a wonderful batik artist up at StashFest in La Conner, Margot Bianca. You can check her Etsy store here. We spent a lot of time talking, and we’re going to marble a piece of linen, and then Margot will dye it, and she is going to batik a piece of already-marbled cotton. Should be a lot of fun to experiment. We’ll show results as they happen.

The studio is ready for marbling. We can dry in the garage, but sometimes for pretreating, it’s just easier, especially if there are mostly small pieces, to set up the drying racks in the studio. We sure do know how to maximize space!

And we do recycle, as you can see from the OJ bottles – they are perfect for keeping carrageenan as the bubbles disappear and then get stored in the refrigerator. We always cover up the rugs, even though we are obsessively neat, because the one time we don’t, paint will spatter…..

I am currently finishing a piece for my yoga instructor, as we are bartering: art for yoga lessons. You may recognize the piece….this is the “remains” of my “Shallows” piece, and it is in the process of becoming a triptych. More on that as it gets finished, hopefully by next week.

Still lots of shading, binding, lots of beads so that we have a small stream running through the three pieces. And of course, my lichen……

I’m also trying to start the pattern for the seasons wall hangings. I’ve got the ideas, and potentially the right fabric. Here’s spring….

…and here’s summer…..

I may actually combine the two…it will depend on how it works out.

There’s lots more on the list, including a new book I am starting on tutoring. I need to schedule significant writing time, along with all the sewing. So far, so productive!

So the Etsy shop was on hiatus while we went to Seattle and back. I’ve added lots of new fabrics in cotton and basically restocked the store. Now, we have had some movement within the store. Certainly more this past year than totally since I opened the shop. But I feel like there is so much more I can do. I need to get the links done to my TAFA (Textile and Fiber Arts list) profile, and just generally think about how I can market this. By the end of the month I expect to have silks and some other specialty fabrics in the shop.

Ebay has been great for small pieces of fabrics and remnant bags. In fact, remnants have been the big seller on eBay, so we’ll keep it that way. I will use Etsy for the specialty fabrics, and the fabrics that are more expensive. This is one of the ways I feel we can specialize, and at the same time differentiate product. I need to do some reading on getting an Etsy store to be productive, so that is one of my goals for the rest of this month. By the end of May I want to have a couple of pattern kits in the store, complete with fabric. I have two of the samples made, and I am ready to start writing the pattern, as well as complete the remaining two samples. That’s my May goal.

I have sold a couple of small quilts in the store, so I should think about increasing a few of those, especially around the holidays. Speaking of holidays, I have not been able to take advantage of buying for specific days…and Mother’s Day is coming up. I need to think about how to incorporate that.

All that said, here’s a look at the fabrics waiting for you and your projects, be they quilts, wearable art, or applique. Perfect for that creative person you know!!

   One would think that once you are in your 60s you would stop having mid-life crises…..evidently not……..Seems I am once again concerned with the direction my artistic life will take, now that I’m retired. This thinking has kind of evolved over the last two-three months, as I realized I had over-scheduled my retirement on a weekly basis. College algebra on Monday (which takes 6 hours on Monday, plus a good chunk of Sunday for preparation), tutoring on Tuesday afternoon, yoga on Wednesday, tutoring on Thursday afternoon, yoga on Friday……add in an unexpected move, and there’s been virtually no sewing time these last six weeks. Not a happy camper……

So what to do? I have one Monday after today to finish the term, and then I am putting this teaching on a long-term hold. One of the reasons I retired was because I didn’t want this grind any more. I know I could teach more classes, but aside from screwing up SSI, I really don’t want to get back into the teaching focus. Yoga is a constant; I will keep my two mornings a week. I feel good and I am making weight progress. I’m going to keep the tutoring, as it is more rewarding, doing the one-on-one work. I picked up an additional client short-term, and both clients now will be a total of 6 hours a week, spread out, over several months at a time. That’s fine, because I can adjust travel schedules as needed pretty easily.

All that said, nothing much has gotten done on marketing. It took me forever to find the time to get new business cards made for the Seattle trip. February just flew by in a blur. This week are are attempting to finish the last of the marbling for StashFest, and we have already started to put things aside for packing. Two weeks from today we will be somewhere in California, headed north. I decided to redo a smaller quilt from about 12 years ago, to take along another example of the marbled fabrics with more free motion quilting. Spent about five hours over the weekend ripping out stitches. Surprisingly calming, not that I need another project…..

The rest of the marketing for the quarter is on the back burner. Visions got completed and entered…and I learned last week that the piece didn’t get in. Oh, well….this time at least I am philosophical and not pissed. It’s still a great piece. But I am rethinking the entering-shows-again route. I will keep making art, regardless. I do work well with deadlines, however, so I need to keep that in mind. And I do want to get back to taking some classes on line, once we are  back from Seattle.

Still no newsletter, and blogging took a big hit for about three weeks……just when I was getting so close to 3000 visitors. How important is all that? At my age, being retired, just how much of the marketing/business work do I really want to do? I find that if I don’t have one or two days a week to just sit outside, read, and generally veg, I’m not happy. So it’s time for some rethinking. And time to enjoy this new trip that’s coming….never been to Seattle and Portland, so we’re saving our pennies, given gas prices and the fact that the tax refund was virtually non-existent, so we can have some fun…and  possibly buy some new art!

 Pun intended. I’m back, and the back is bad again…all that moving. We are actually marbling this morning, trying to finish everything for the northwest trip in less than three weeks. The move cost us a month, plus money that could have been spent on fabric. Expensive in several areas. If I hadn’t been doing yoga, I can’t imagine how sore I would be now. It’s sore, but I think that’s because I tried a few too many stretches unsupervised yesterday.

This move really did us in. Now, we are experts at the moving process, having done it numerous times. But this was more condensed – three weeks from signed a new lease, giving notice, and packing. Plus, we transported a lot more boxes than we normally do, and we set up a lot of things ahead of time: kitchen, bathrooms, closets, pantry. A week and a day later, most of the art work is up, and there are a few boxes of books and miscellaneous (my purple fabric….) that are still waiting to be unpacked.

Speaking of fabric……there are pros and cons to having a fabric stash when you’re moving. Pro – lots of soft fabric (no grimy newspaper) for wrapping all the precious items in the hutch. And you get to fondle the fabric. Con – lots of soft fabric that you can fondle again, as you refold and store.

It’s been interesting the reflecting I’ve done over the past week on our various moves. That needs to be a post in itself……got to get the rest of the boxes broken down for the recycling truck tomorrow.

I’ve written that one of my goals for this first quarter of the year is to create some new artwork to enter into a few select juried shows. Joanne Mattera had a really interesting blog post on Monday about entering shows: When Do You Stop Entering Shows?

Certainly timely for me. Her checklists of questions to ask yourself are excellent. I had success about 10 years ago with a series of shows I entered, especially Expressions in Textiles, which was more an early art-quilt venue. I would consider this my first prestigious show. I have success entering a show in Alaska each year, which is an art show, and fortunately for me they like fiber entries. I stopped entering a lot of shows from about 2006 on for two reasons: I was teaching full time and had  very little time for creating art, and entry fees were expensive (moderately so nbow, but I must say, being able to do online entries is a blessing). The entry fee was groceries. Then I entered an art quilt show two years ago and was rejected. Aside from being P.O.’d, when I looked at the artists selected, they were the “same ole – same ole” quilt artists whose work is very recognizable. That’s when I figured I wasn’t going to play with the “big girls” any more. I needed to make work for me.

Hence my decision to try for Visions and a SAQA show this year….there, I’ve said it. Big time. If I am selected, these will be two huge pieces for my resume. Which brings me back to Joanne’s article. “But at a certain point—a tipping point, let’s think of it—you want to see your exhibition experience evolve into opportunities in which you are invited to participate.”

Yup, that pretty much says what I am aiming for. Joanne goes on to say: “Indeed, most dealers looking at an artist’s resumé want to see that evolution. ‘When I see a string of juried shows on a mid-career artists’s resume, I have to ask, ‘Where’s the progression?’ says a dealer I know.”

I know I’m making progress in creating art, and I want to be mindful of shows that would add value to my resume and future opportunities. Quilt shows aren’t going to do it for me. Some art quilt shows? Visions, SAQA, Tactile Architecture…..probably. I’m not interested in dealing with the “quilt police.” My work is not mainstream quilting, although that’s a skill I use. A number of years ago we had our work in a now-defunct fiber gallery in Scottsdale. At the time I was doing different things with my “bindings.” I was serging or facing the edges of my art quilts because the technique helped enhance the message of the piece. The gallery owner – a fairly traditional quilter who worked with bright fabrics and called them art quilts – was appalled that I didn’t have regular bindings on my quilts, and she wouldn’t take a couple of pieces without regular bindings. Well, to my way of thinking, a binding would have constricted the design in a way I didn’t want.

Those pieces are now all in private collections, and I’m still spreading my wings as an artist, trying all different kinds of techniques.

Some shows I do enter – nonjuried, no-fee art shows, where fiber will be accepted. The Tikkun Olam show was an easy show, a twelve-by-twelve piece dealing with the theme, and it could be any media. I did receive a lot of feedback about the piece and some interesting opportunities – and a lot of interesting lessons (just because you say you’re a curator doesn’t mean you’re especially good at it….). There is another show like that coming up that I plan to create work for.

In retrospect, I am on the right track. My decisions seem based in reality and forward movement for me. We’ll see how everything plays out. I am behind on my piece for the Visions show, but I have a month…..less, when I think about photography, but I’m almost there…..a solid week of sewing (which will have to be next week…) should finish it for me. And then on to the rest of the first quarter list.

Ya know, I’m not really sure.  I have a few goals this year of entering a couple of shows, and a couple of proposals for galleries, but I keep wondering about the work I am doing. First of all, I really love the art that I am creating. I’ve had a love affair with fabric for years, and now that we are turning out some really great pieces with our marbling, I love it even more. But I feel like there’s a lot more.

The big change for me in how I looked at my fiber came when a quilting friend took a piece of marbled fabric and quilted it all over. I had secretly suspected there was a lot more I could do with embellishing the fabric, and Ellen showed me I was definitely on the right thinking track…it took me a year or so of playing with threads and the sewing machine and my ideas to create something that I really felt was good – and different.

I’ve written before about entering shows and getting rejected. Hey, it happens. It’s to be expected. Wjen I objectively look at work accepted into shows (like it’s really possible to be totally objective….), I am struck by how “quilty” the pieces are, even those billed as art quilts. I also can recognize styles and “names,” and I keep looking for something really different that pushes the boundaries of fiber as art. And then I always figure it’s just me and sour grapes.

Now here’s where I’m not sure just what it is I am trying to say. And this has been brought on by a post by Elizabeth Barton, an art quilter and artist and juror of art shows. “Quiltopee” was a post about a week ago that has me pondering. Here’s the beginning of her blog:

“Quilters often say they wish that “they” (critics, museums, galleries, collectors, the public) would recognize quilts as a mainstream art medium.  Other media, for example photography,  have developed to the extent that most museums now include  photographs in their collections and display them regularly.   So, why not quilts? At least part of the answer is that quilts have not developed from their early beginnings in anything like the way that other media have.”

I find this really intriguing. Art quilts seem to be the rage, and I see some pretty amazing ones. But I also see “art quilts” that seem to take everything that can be done with thread and fiber and machine quilting and throw it all together, just because you can. I subscribe to the philosophy that “just because you can do something doesn’t mean you should.” Just because you can machine quilt something to within an inch of its life doesn’t mean that’s what your piece really needs. Yet those seem to be the quilts that are getting in to shows and winning awards.

Elizabeth continues: “Contemporary art is rich, diverse, and unpredictable.  While  painting, drawing, sculpture, photography and crafts are still popular,  new media  are more likely to be seen in contemporary art shows: film, video, audio, installation, performance, text, computers.  And media are frequently mixed.  It’s hot to use an “old” medium  in a new way: paintings that are pixilated, drawing with chocolate. But how many quilts have you seen made from chocolate? (though it’s a grand idea!).”

She goes on to say (and this is what really struck me): “But I’m afraid, and correct me if I’m wrong(!), we don’t see these kinds of things in quilts.  Quilters tend to stick very much to making quilts the way they were always made.  There’s nothing wrong in this, but that’s one reason why the contemporary fine art world is not very interested.  They’re not so interested in paintings made the traditional way either.”

Hmmmmm. I’m doing things with fiber and marbling – an unconventional marriage to begin with – and adding thread, additional painting, unusual hangings/display means. So much so that people who look at my work don’t know what to call it….”Is that supposed to be a quilt?”

Well, no. It’s art, it hangs on the wall. You can look at it, appreciate the subject matter, mayne think about how it was made. But how does it affect you? What do you see? Forget the “why isn’t it a regular quilt?” They don’t see any underlying message to the subject matter.

Elizabeth finishes with ” I think that the answers to questions as to why art critics arn’t interested in quilts are evident in both formal and content areas:  quilters don’t really want to stretch the medium to uncomfortable (if not breaking) lengths, nor do many of them want to address some of the contemporary issues evident in main stream art.  As I said before, neither good nor bad, but, rather, why!”

The small fiber piece I created in response to the Tucson shootings upset a few people. The subject matter was raw; it was created during the first week after the shootings that killed 6 and left 13 wounded. One snarky comment (anonymous, of course) in our local paper said, “Where was she with a quilt to wrap up Hitler? That would have saved some lives.”

As I’m writing this post, I’m also processing. The Art from the Heart website does contain art quilts – and other media –  with a message. They probably wouldn’t be accepted into any kind of art quilt show. But they are addressing contemporary issues. So am I ahead of myself? Am I pushing myself in other directions that the fiber world is ready for – the quilting world isn’t – and may never be?

I am really interested in your comments to this post, and Elizabeth’s ideas in general. You can see some of my earlier fiber work on our website. The more “message-driven work hasn’t made it up yet. One of my goals for the first half of the year……

So a while back – like the end of November – I did goals for my third season of practicing abundance and attraction. December was pretty melancholy for me, made more so by the fact that I couldn’t seem to get it together to work on my new goals. So I decided on a “do-over.”

January 1 came and I was into the zone. We’ve been marbling like crazy for StashFest in Seattle the end of March. And selling on eBay and sewing like crazy. So I recognized I would need to take some time and look at what was planned already for the first quarter and then build on and in those plans. January first we both sat down and looked at what was ahead of us to get ready for StashFest, and once the calendar was blocked out, I knew what I wanted to add.

First, updating my profile on The Textile and Fiber Arts List, which has a totally new design. This will take a while, but I need to get it done.

Second, update my Etsy site with more fabrics. I am getting down (a good thing) because of the holidays, and I want to get at least two more gift baskets up on the site.

Third, make a list of art shows available through June that I could enter. This looks at what work is already done and acceptable, and my availability for doing new work. I narrowed to five shows, of which two need significant new pieces. I am up for that challenge, as the fabric is already created for one of the entries.

Fourth, newsletters. For some reason this has been really difficult to work on….don’t really know why, except I read so much about how great your newsletters need to be and I think it intimidates me. I also have to figure out how to work Mail Chimp…..There will be two newsletters: a general one once a month, and a collectors one once a quarter.

Fifth, the portfolio needs a major overhaul in preparation for Seattle. This shouldn’t take long, once I get to it. Along with this are additional business cards and postcards. I just need to get the images set for these.

Sixth, continue normal marketing. the blog is continuing, and readership has increased, due to my posting on the FMQ list as I quilt along. I don’t tweet as much as I should, but I do post on Facebook. I haven’t been as regular with postings on the Facebook fan page, and that needs to change. I also need to comment on more blogs – get out of Google reader and pass on comments.

So those are the goals, keeping in mind by March 15 we need 400 fat quarters…..with today’s marbling we will be at 75 (and that’s just since December 30), so I’d say we are on track…….

What have you decided to do for marketing for this first quarter of a brand new year?

Not a whole lot of pictures today, but a whole lotta work going on.  We are in the process of marbling 400 fat quarters for StashFest the end of March. This is a fund raiser for the La Conner Quilt Museum, and we have been invited to participate and sell our marbled fabric. Yay! So needless to day, there are a LOT of marbling sessions ahead of us. With hubby’s health, we are being very careful about scheduling the sessions. And…we are planning ahead. Counted the number of weeks we have, allowed for vacations, and started ordering LOTS of pima cotton. Hubby is really in the groove, and the fats are looking fabulous. We pulled out one of the marbling books and are going to try some new patterns as we work. Pretreat, alum one day, then marble the next….all our mornings are set aside for this. Plus, I can’t wait to get to the Northwest. It’s been on our bucket list for a number of years. and now it’s actually going to happen. So send me suggestions for things to see and do – and eat – in the Seattle and Portland areas. We’re going to save the ocean spots for another trip. We’ll be happy, us desert rats, with rain and fog and humidity!

Those of you in the Seattle area, mark your calendars for March 31 and April 1. There should be publicity hitting any time now in your area. You can check the Stashfest website for more information. Also, we are taking small quilts with us for display purposes at StashFest, so if any of you in guilds would like us to give a talk (and perhaps a demo), please let us know.

Now, along with that are several shows I have decided to enter. Some I have recent work for, but most of them will require the creation of new work. And I am so up to the challenge. The piece I am working on now, for a show deadline in February, is teaching me – and speaking to me – a great deal. I am thrilled with how it is turning out, and even if it doesn’t get accepted to this show, I know I have created something different, meaningful, and beautiful

Here’s what I’m looking at:

Visions – 2/13 (If I’m going back out there, go big….last acceptance for a major show – Expressions in Fiber – was in 2004. And if accepted, I’ll let you in on what prompted me to go for this.).

Art Pin-Up – 3/2 (12 x 12, very do-able, and no jurying….)

Fish Follies – 4/20 (?) (great acceptance rate over the last 6 years for fiber. This year I have a really wacky fiber idea…..it is Follies, after all….)

Tactile Architecture, Hands All Around – 4/27 (one piece is already completed….)

I’m Not Crazy – 5/5 (idea is sketched)

Pushing the Limits – 5/16

Pattern Base – book inclusion, June 12

And this is just the first 6 months. So I guess a goal for this year is to get out there and enter my work! Along with trying to set up two individual shows.

It is going to be an awesome year of taking chances!

It’s been an interesting time for reflection this last month, as it’s been an emotional roller coaster of a year. This time last year I was excited because I had decided to retire a year early, in May of 2012. Three semesters left felt do-able. However, I was also still stuck doing lesson plans every Sunday for most of the day. Yet I told myself it was better than the previous year, because I wasn’t spending as much time week nights marking papers, since I had an additional prep period each week.

Then came January 8 and the Tucson shootings. I had almost convinced hubby to go to the Congress on Your Corner, but by the time we were finished with his chiropractic appointment, it was too late to head over. There but for the grace of God…..Like most Tucsonans, we were glued to the television all day, through the NPR reports that Gabrielle Giffords had died to all the aftermath.

By Sunday afternoon I was working on the Art From the Heart website as a way of dealing with this tragedy. To date we’ve had artwork from 14 states, and some amazing artwork it is. President Obama came on Wednesday, and hubby and I sat transfixed in our living room, listening to his speech. On Friday I faced another challenge as a teacher – the Westboro Baptist Church had said it would boycott Christina Taylor-Green’s funeral, and then decided to boycott my high school instead for their ethnic studies program.

Here’s where I realized how much teachers are also first responders. It had been a hellish week, trying to get teenagers to understand what was going on, and how to respond in a nonviolent manner to a group like WBC. You can read about it here, here, here, and here.

Events like this make you really question so much about your life, especially when it appears to you to be a close call. The depression began to sneak up, slowly, and everything at school just became more intense. I began to think about leaving the classroom in May. After all, it had been 40 years. The end of February we attended some meetings with state retirement and made the decision that May 27 would be my last day as a teacher. That made me smile.

March and April are blurs pretty much, just existing and coping with the depression. I was reading on a blog by Dale Anne Potter about how positive she was and how many great things were happening to her. I emailed and got the information about Cocreating Our Reality and practicing the Law of Attraction. On May 1 I was determined to enter my first 100 days of this challenge being positive. You can read about that here. This really was the beginning of the turn-around for me. I finished school grinning from ear to ear during that last month, driving teachers I worked with crazy.

I wrote my Abundance checks with faith that everything would work. And it did. These seven months of retirement have been wonderful. Some health challenges, but hey, who hasn’t? The marbling business has picked up, great things are happening, and I’ve been able to create some new art. Two successful seasons of 100 days and working on the business – doing things – and creating art  that I hadn’t been able to do while teaching full time.

But December was a melancholy month for me, which was a change after the past six months. Some things weren’t right. The vision had gone in one eye, I had started a new set of 100-days, but the motivation wasn’t there. The weight issues got me down almost immediately. In retrospect I think it was the consumerism and blatant conspicuous consumption (yes, I know….redundancy….) that weighed on me. This led to some decisions to go a very different route next year with gifts – making donations in family’s names to nonprofits they support. Giving back, rather than giving to.

Along with that, the continued violence around us….it seemed like no matter where you turned or what you watched, there was violence all around. I can’t watch the news anymore, as I just get too upset. Movies and television shows are full of gratuitous violence. People are unkind, peace seems so far away, and our politicians – and those who are supposed to lead us – aren’t doing their jobs. I find everything about this country – and the world – to be so topsy-turvy. Nothing is right, we can’t seem to learn from our mistakes, and our country is lost in its original path. Part of me wishes to withdraw completely, and the other part of me wants to make the changes. I look ahead and see no hope…and 10 months of a VERY LONG election season.

So now it’s New Year’s Eve. I need to look ahead, as we are having some great things happen for us. We are making fabric like crazy, heading for an overnight at a king suite in a local hotel so we can do planning for the first quarter of 2012. Tutoring clients are coming in, finances seem to be assured, and we’re both feeling positive. I know there will be decisions ahead, as I think 2012 is going to be a pivotal year. But right now all I can do is all I can do.

Here’s wishing you and yours peace, happiness, and prosperity for this coming year – and whatever else you would like. Life is good, and we need to embrace it!

I’m looking at this coleus, which is from a picture I took several years ago at the Tucson Botanical Gardens, and I wish I could remember how I did it…..I need to find the original psd file and see if I can backtrack on it. I am enjoying getting back into playing with Photoshop at least once a week. And I have loads more pics, as we spent yesterday morning strolling the gardens. I have a show in mind called Digital Desert, where I use all local pictures of the desert that have been manipulated in Photoshop. I think that will become a “work in Progress” for the new year. I even have the name of the person to contact about a possible show. As I think about it now, I could put a small pic of the original shot on the intro card, and then display the newly manipulated image. Hmmmm……

There’s been lots happening here. The major work in progress is a business piece – we have been invited to participate in Stash Fest, a fund raiser for the La Conner Quilt Museum in La Conner, Washington, on March 31 and April 1. We will be bring a LOT of marbled cotton and silk with us, so we have started already to make fabric…and run into a couple of road blocks. One, the BOLT of fabric we bought at a wholesale price, after trying a sample to see if it would work – doesn’t. Between getting the sample, trying it, ordering and waiting for the bolt, and then trying two marbling sessions, we’ve ended up with a lot of remnants and nothing for the northwest. So we kind of lost December for production. We have ordered our usual pima cotton and are awaiting its arrival. We will probably get one marbling session in this month to finish off a custom order and hopefully begin to create what we are going to need for La Conner. In the meantime, lists are made, labels done and ready to go, folding organized, bins for storage and traveling set up. So we are slowly getting ready.

I promised a reveal of the small log cabin winter quilt. Really enjoyed making this one, and I’m looking for what I can do for the spring quilt – need to get the fabric made, and I need to get at least one of the two big art projects completed and ready for photography. So here’s the little wall hanging:

The other big stuff I’ve been working on are two entries to a major art show. I am progressing, and I’m pleased with what’s happening. I just started a new shading on the bigger rocks yesterday, after trying some ideas. No question that the shading has really added to the depth of the piece, as well as add needed dark values. I noticed that I was being too controlled in doing the shadowing, and nature isn’t perfectly symmetrical. I need to “rough up” those shadows, as well as bring in some additional other “shadow” colors. I also realized I want to get a foot with a larger plastic opening, so it’s easier for me to see where I’m going. I went to the local Bernina dealer (there are several in town), and once again this particular store just manages to make me feel so stupid when I go in. I was told “that’s not how you thread paint.” Well, that’s how I’m doing it, and I like the effect, so spplttttt……(how do you show a raspberry emoticon?)

There is still a long way to go, and I have another piece ready to go, so I have to get busy!

  I am really fortunate to have a couple of good friends who can help me with a critique when I am working on a new piece. Sometimes the piece flows, and sometimes I’m blocked in making decisions and moving ahead. It is made more complicated by the fact that I am trying to use our marbled fabrics to create unique art pieces. In surfing the web on a regular basis, I don’t see anyone else doing what I’m attempting to do with marbled fabric in the art quilt movement.

There are a lot of things to consider in developing these pieces of fiber art. Are my sewing skills strong enough? Are my quilting skills advanced enough? Does the fabric speak to us? Can the design tell an interesting story? Can I work with the principles of design?

In looking at all these questions, there are two that I am the weakest in, and this is where my group of friends can really help. Quilting skills and design principles.

Momcat is my first voice. She is a digital artist in her own right, and a self-taught expert in Greek pottery, among all the other skills in being a Renaissance woman. Suzan is my overall digital partner and a superb, published quilter and designer in her own right. Karin is a water color artist with a very strong sense of color and overall design organization. Hubby is the marbler and can see things in the designs that the rest of us miss.

I am at a point in this new piece where I needed advice. Which way should the piece hang, for one – vertical or horizontal. Usually that’s one of the last questions for me, because by the time I’m done, the piece has usually told me what it wants. With this piece, I need to decide this now, as I will need to work on the shading with a light source from the “northwest,” which is how scientific illustration is done. I was leaning in one way, and my group confirmed that. They pointed out that I already had a lot of the “shadows” developing on their own from the new orientation.

The second was size and pattern. I am fine with all the quilting on half of the piece, but the other half seems naked of color and looks like it would require some serious thread work that wouldn’t necessarily add to the overall effect. I had been thinking about potentially cutting away half of the piece. We looked at that possibility, and once we folded back some of the fabric (which had never occurred to me), we knew it needed to be tall and narrow, not wide and thick.

Now, Momcat had sent me some of her photos of rocks and lichen that Dali had painted, and I LOVED the lichen. I was initially thinking of marbling some very small silk flowers and then attaching them with some thread painting. The group didn’t like that idea – felt they were not “tough” enough for the texture of lichen. Momcat disappeared, only to come back with a small vial of green stuff that she proceeded to spread on the one or two rocks that are already green. Perfect! Upon closer look – they are very fine chopped-up pieces of old money from the Denver Mint. Who knew? I guess now this is a “mixed media” piece…..We are also thinking about using some coconut Husk or actual moss from a pet store – need to think that through.

Next question: facing vs. binding vs. frame. How do I want to finish this? I don’t see a basic binding. We talked about fabric as an inner mat and as a frame. We looked at serging the edges – which I have done with pieces in the past, much to one gallery owner’s chagrin – “wasn’t finished properly” was her verdict. But I always let the piece tell me what it wants. I am thinking this piece is telling me it doesn’t want anything more to constrain it beyond a facing that wraps to the back.

The final discussion revolved around light, medium, and dark. I know if I were to take a picture of this and turn it to black and white, everything would pretty much be medium values. I know it needs more dark, so I need to think through how to do that with thread…..or moss…..or coconut husk…..or…….actual small stones…….

I left energized, ready to complete the piece. Amazing how being with a great group of like-minded visual people can  make a difference!

  I chose my “Explosion” piece for today because that’s the kind of excitement I feel starting this new season three. Seasons one and two of Cocreating Our Reality were eye-opening and exciting, and for the last few days I have been building up to starting a new journey today. First, I am so blessed to be retired and able to work on art when and where I want to, for as long as I want to. I get to spend every day with my hubby, and life is pretty much wonderful. Health problems – of course, who doesn’t have them at our age. But – that’s not stopping me from living a great life.

I discovered over the last two seasons when it was time to evaluate my goals, that I hadn’t really stretched myself – or thought big enough. So I have been pondering that for the last week or so. What is it I actually want to do?

First and foremost, kind of came to me last night in the moments before sleep, is probably the one most on my mind. I need to take this season and concentrate on me. It sounds selfish, but it isn’t. I have health issues that really need to be addressed, and for so many years they went to the side as other things – students, work, hubby – took their place. If I expect to be as creative for as long as I want, and get out and be politically active, and write – do all the things I want to – than I need to focus on my health. So that is goal number one for this season: take the cholesterol medicine, take my vitamins, watch what I eat, get out regularly and exercise, track my food intake, get some yoga teachings, get my blood readings where they need to be. I actually started thinking this way a few days ago, and I’m pleased to say the exercise has already increased, as well as having a bit more control over appetite.

A second goal is tied in to all this. I am getting a second opinion on my vision issues and will work to find strategies to help with the depth perception and balance issues. A new doctor’s appointment is scheduled for next week Thursday, and I have a teacher friend to talk to about some basic yoga stretches. I always knew this day was coming, and now that it’s here, I need to learn to work with the new limitations.

Overall, for the first time, these two goals seem very positive. One hundred days from now, March 10, I expect that I will have been enormously successful at these first two. That statement alone is a major change for me. It’s very positive, rather than using the word “try.”

Business-wise I have some very specific goals.

Number three in my list is to solve the newsletter/collectors’ information issue. I am, as was said to a friend of mine, “leaving money on the table.” This has to be a regular business goal. I am considering taking Alyson Stanfield’s “Cultivating Your Collectors” class in February. That will depend on a number of things, primarily finances. I am good at reading and implementing, and since I accomplished four of Alyson’s goals in I’d Rather Be in the Studio!, I should be able to accomplish at least three this new season. So: newsletter, portfolio (which we will need for a major event the end of March), and I will look through the list for at least one other. Newsletter once a month should be definitely do-able. A collectors’ newsletter once a quarter should be reasonable. I’m sure there will be others to add here.

Number four is searching out wholesale suppliers for cutting back basic costs of making marbled fabric. As of yesterday I have a new wholesale account with Kona Bay fabrics, as we use their colored cotton quite successfully. We are looking for wholesale sources for premium white cotton, silk/satin ribbon (like Offray), and probably some other materials.

Number five is ramping up our Etsy shop, our Fine Art America galleries, Cafe Press, and looking in to Red Bubble, Three Sisters, and at least one other online selling site. My overall goal in all this is to be able to update these sites once a week, as well as include items from these sites in our soon-to-happen newsletters. I’ve tried setting monetary goals for Etsy and Ebay, and they are very fickle, depending on the economy. I do tweet my Etsy and Ebay offerings once a week, which certainly drives traffic to the site, but I don’t see it converting. However, I know that it is only a matter of time, as is the case with this blog. I am about to hit 1500 viewers per month, so I know it is consistency. (Concerning the blog…when Facebook changed its latest set of operating, my blog numbers dropped. Turns out, on exploration, Networked Blogs was a casualty and needed to be reactivated. Once that happened, I saw numbers increase again…..I am amazed at how net-savvy we need to be these days!)

Art-wise I also have some very specific goals.

Number six is to enter a major show with new work. The deadline for this is mid-February, and I am already hard at work on the first of two pieces. The fabric has been created, and the ideas are flowing. Here’s just some of the fabric…..

Unpolished red satin

If I get accepted, great. If not, I will have two new lovely large art pieces for our body of work. But I am putting out to the Universe that this will be show-worthy art.

Number seven is to create the kit for Marbled Seasons. Yesterday’s blog post showed the first of the four small quilts/table runners. I used to have several patterns, all of which I sold the rights to. So I just need to make more. For this goal I want this set of kits completed, and two new ideas for pattern kits, plus a rewrite of my Polynomial Quilt pattern – which I used the quilts for that very successfully in an adult algebra class to teach multiplying, and it was highly successful.

Number eight is to be completely prepared – except for minor loose ends – by March 10, for StashFest at the La Conner Quilt Museum in La Conner, Washington. We have been invited to participate, and it means marbling about 400 fat quarters in the next three months…..another reason for looking carefully at wholesale outlets! This is an interesting goal, because after our last guild presentation, I put out to the universe that it would be fun to travel and do demos in the Southern Arizona, southern New Mexico area. Well, two days later I had this email…..as Dale Anne Potter, my muse with Law of Attraction said, I was open to the possibilities.

Number nine will build on the previous. Develop a letter/sample to go to local guilds for demos and classes. I think just the development at this stage, because we will be focused on making fabric for Washington.

Number ten, under the category of Miscellaneous, comes continuing to work on Art From the Heart, a site devoted to spreading peace and nonviolence in the aftermath of the Gabrielle Giffords shooting. We had two new entries this last month, and I am hopeful for more.

Now that I have these written, I have to chuckle in that I was concerned about trying to get my goals coherent for this season. These are more detailed than the past two seasons, and they will certainly stretch me.

So Day One – I’m going to sew, work on some lists, and get ready for a small craft event on Saturday. Plus, it’s the holidays, and I want to “do more good” this year on a daily basis. May you have a really awesome day!

If you remember last week, I was about finished with my little autumn quilt/table runner. You can see the process here. I finished it this weekend, and today we marbled a piece for the winter piece. “Marbled Seasons” will shortly be available as a kit – all the seasons, or just one of them. I am writing the pattern now, and by the end of December should have all the quilts completed. They would also work as table runners. So here it is….

There are plenty of variations in this pattern. “Autumn Marbles” will have hand-marbled silk leaves in the kit, as well as directions for the “windy” free motion quilting. There is enough marbled fabric to add another set of log cabin blocks to make the quilt a little longer. The strips in this block all start out at one inch. the two different browns in this, as well as the backing, were from my stash, so you can “shop” at home for extra fabric.

I have started my next major art piece, from a piece of fabric we marbled over ten years ago. It’s time to do something with it. Here you see the marbled unpolished satin with its backing. I was auditioning threads.

The piece itself looks very flat and pretty uninteresting. It will be a challenge of my new skills to make this do what my mind wants.

This piece is a little over 18 inches by 54 inches. We did it when we still worked in the big tray. The additional years make it very difficult for us to work longer hours and do larger pieces of fabric. So I am hoarding those pieces I still have.

A closeup showing some very interesting veining within the piece. That needs to become a focus point.

I have started the basic “first level” quilting. All the stones are getting outlines. Already a lot more interest.  Those two upper right beige ovals have been taken out, requilted, and lay a whole lot flatter.  And, you won’t see more pictures until finished and entered……..

Wow, being retired has given me a whole new appreciation for preparing for the holidays. In the past, if I was lucky, I managed to get some things done during the Thanksgiving weekend, but everything else depended on just how tired I was at the end of each school day. Not this year – my cards are designed and ordered – the pic at the left is of a great piece of red silk that I took into Photoshop. Really pleased with them.

Before I go in to the latest project, an update on the deer quilt from last week. We finally got it hung in our bedroom, its designated spot for the last ten-plus years. It looked awful…..there was absolutely nothing redeeming in it at all. Even hubby, who has loved the quilt since I first saw the pic realized it was pretty bad. So Karen S is the winner of the give-away of border trees, and some lucky child is going to get a “huggy” quilt. In the bedroom now hangs our Desert Heat quilt, and it looks perfect.

Now for the new stuff…..Hubby created a really great fat quarter of cotton that reminded me of a New England autumn. We had marbled some silk leaves earlier this fall, and I had in the back of my mind to make an autumn quilt and use the leaves. Well, now I had all the fabric, pulled a couple of browns from the stash, and was ready to go.

The start of the log cabin….this is the fourth restart….for some reason I wasn’t able to follow my own directions…..

First tentative layout…..

Another tentative layout…sorry for the lousy pic….

The three finished blocks – reminds me of walking through woods carpeted in falling leaves.

Playing around with the marbled leaves….have probably decided on this layout. Love the border fabric, which was very serendipitous. That fabric would not have worked had I gone with a different layout.

I love the leaves!

Ready for batting and quilting……more next week. Suggestions on a quilting design?

It’s a relatively early Saturday morning, and we are marbling. I’ve learned to leave the color and pattern decisions to hubby, as his skill with those far exceeds mine. We have begun working on a new major fiber piece, after a huge amount of deliberation for design and what-not. I’m documenting the process, but it will be months before I can really show the finished piece and talk about it. I am excited about it, ordered lots of new threads, and hopefully I can get some more pieces of lava before the gem show for embellishment. All in all, a  great way to start the Saturday.

Then last night we attended a wedding of a co-worker and amazing math teacher. What a joyful life! Met up with some teachers I hadn’t seen in a while, and experienced my first orthodox Jewish wedding, The rabbi was amazing, and the ceremony was just beautiful. I was so happy for them. Actually had a chance to dance with hubby and we both realized that the spring that used to be in our steps was extremely rusty. We used to spend hours on the weekends out dancing – last night I couldn’t seem to get the feet to want to follow him. Getting old sucks!

But it was such a wonderful five hours! There was such joy all around. We just had an amazing time, and we kept reminiscing about our 35 years together.

But I need to temper that with news that an internet friend is facing ovarian cancer. Now, I’m the kind of person who has always had a hard time making friends, and so I love the internet because it has allowed me to reach out in an easy manner. We have exchanged art work, commiserated on the political scene, and worked on Art from the Heart together. This shouldn’t be happening to someone in the prime of life. I am really working at sending positive thoughts to her whenever I think of her each day. Positivity is working for me, so I want to see if I can put it out there into the universe and extend its reach. Many blessings, much healing light my friend. You will be back to share your humor and photos and warped sense of humor! You are too precious to leave us too soon.