Archive for the ‘School of Threadology’ Category

How do I love thee, Dr. Bob? Let me count the ways…..with apologies to Elizabeth Barret Browning.

How do I love thee? Let me count the ways.

I love thee Superior Thread in all the many colors

My soul can reach, when sitting at the Machine

As I contemplate the line of stitching.

I love thee to the level of sewing’s

Most needy time, by sun or Ott light.

I love thee freely as we strive for Kaizen.

I love thee purely as they judge the stitches.

I love thee with a passion put to use

As I strive to meet a juried deadline.

I love thee with a love I seemed to lose

As I ripped and swore and rethreaded.

Smiles, joy – all my projects – and, if it be,

I shall love thee even better seam after seam.

So why the ode? I was working on a fabric bowl yesterday with some “free thread” given to me at a sewing expo a while back. Now I talk about Superior Thread regularly on this blog. Ever since my School of Threadology in April 2010, so many of my problems and frustrations with needle and thread have gone away. I love sewing and quilting now. Everything always works.

Except yesterday, when I was working with this new thread. Why? Because the multi-colors would work with this particular fabric. Well, that was a mistake. First of all, these were “sample” spools, so I wasn’t really sure just how much thread would be on this spool…and of course, I ran out about four inches from the end of the project…which I wouldn’t have done had the thread not kept breaking every six inches or so.

Grrrr. Then, I could actually watch the thread fray as it passed through the eye of the needle. And…it felt like rough twine.

So while I have solved my tension and breakage problems, and even gone back to using my Sulky threads, when it comes to doing anything for a gallery or a juried show or an heirloom project, Superior Threads will be the only ones for me.

Dr. Bob, Mother Superior, Ricci, and all the folks at Superior Threads are some of the best people in the world to do business with. Their philosophy of “kaizen,” or continuous improvement, shows every single day, in them and in every one of their products. In case you didn’t know, “no ka oi” is Hawaiian for “the best.”

I have been thinking about the leaves for the bamboo piece. As I mentioned last Wednesday, I think the silk leaves would be too plain, and I didn’t like how they marbled, and I think thread leaves would be too fragile for such a sturdy plant. Then it occurred to me to do what I do in the classroom – it’s not an either/or, so why not combine the two.

I started by cutting a piece of Dissolve from Superior Threads and taped it to an old cutting mat – that stuff is slippery. Then I started layering some of the old yucky threads I have.

Leaves in Progress 1

Leaves in Progress 2

At this point it occurred to me that I could layer the silk leaves across this base of thread, after I pulled off the wire from the backing.

Leaves in Progress 3

I turned some of them wrong side up, figuring I would be stitching on both sides of the sandwich, so I would get some additional effects front and back.

Leaves in Progress 4

I am pleased to say it occurred to me earlier not to run the overhead fan in the studio while I was working on this….At this point I am ready to layer more thread on the top of this. Keep in mind I have no idea if this is going to work….

Leaves in Progress 5

Now at this point I need to cut another piece of Dissolve to go over the top of this.

Leaves in Progress 6

Leaves in Progress 7

Now it is ready for stitching. I need to order some thread – Razzle Dazzle to use in the bobbin, and some green Lava for top and bottom. I figure I can order this week and while I’m waiting, I can finish up the bamboo strips. Once I cut everything apart, all the little slivers will become part of the base where the strips are mounted. I don’t know if I will need more leaves. I am counting on the leaves at the top to hide the hanging system. I do have plenty of silk leaves – I would need to get some more cheap thread if I need to do more thread work.

Any of you try anything like this? Suggestions? Ideas? Pitfalls? Inquiring minds and all that….

(Think Horschak) Oooh, Oooh, Oooh……I have some great tree agate I have been collecting from the gem shows….they would add some interest and weight to the bottom of the piece…I knew there was a reason I was collecting them……

Like so many of you, I am a regular reader of Robert Genn’s Twice Weekly Letter. This latest one looked at the traditional master-apprentice role in the arts, and I was particularly taken with some of the thoughts, especially since marbling has always followed this road. Apprentices worked with masters for years, learning and absorbing every trick and skills through watching – and later on by doing.

This made me think of how we get our own art educations, a topic near and dear for so many of us. I’m self-taught in virtually everything I have done artistically. I would hazard a guess that this is true for most of us baby boomer women. We were encouraged to go into paths that would support us or provide for families, with little thought as to what would make our hearts sing. As we’ve gotten older we have become more expressive.

Self taught. It seems to be fine in so many fields to say you are self-taught – tutored in life. But not in art. At least for me, I still feel intimidated when I see in a CV of someone in an art show all their schooling and formal coursework in the arts. My own art education early on consisted of a few art projects in elementary school and then a “class” as an elective in high school where we churned out particular projects. But nothing in creativity. Which ties in to a recent article in Newsweek on the dearth of creativity in modern classrooms and education.

I’m rambling, I know. But I’ve had to learn how to be creative, to break through the “OMG, what will it look like?” phase of making art. Would working with a master have helped this? I don’t know, but it probably wouldn’t have hurt any.

Who are our masters in the arts today? From whom do we study and learn? Enter the Internet, the cheap equalizer to getting an art education. The joke in our family always was that if my dad wanted to learn how to do something new, he would read a book. Well, I got that gene. I read everything I can get my hands on if it’s something I am really interested in. But that can get to be expensive, although still cheaper than a formal education or coursework.

The internet has opened up huge resources for us. I started on TV with Sewing with Nancy and Eleanor Burns and Kaye Woods. I picked up all kinds of hints – and reasons why something I was already doing (through guesswork) wasn’t working. Like many of us, I have taken workshops when I can afford it. Jennie Rayment and her muslin creations still stick in my mind – such possibilities for texture!

Just one of Jennie Rayment's books

The first professional workshop on marbling was with Galen Berry (over a year ago) and it was wonderful – lots of questions answered, problems solved, and energy renewed. We started to zoom ahead in our skills.

Galen Berry

Then I went to the School of Threadology with Superior Threads. Yes, I know I rave about their threads, but the professional education I received over the three days with Bob and Heather Purcell was priceless. My work has taken a dramatic turn for the better – and I don’t break thread anymore….

School Of Threadology

Now I’ve discovered Interweave and their dvds on quilting and other artistic endeavors. Better than a book because I can see things actually being done.

Interweave

I watched a leaf tutorial by Heidi Lund and already picked up a bunch of hints to try something totally new for my bamboo piece. Carol Taylor’s video on her Arc-i-Texture techniques had me making a new quilt last night to try out the ideas…and I must say I’m loving it! And Susan Brubaker Knapp’s video on machine quilting corrected a whole bunch of errors I have puzzled over.

Carol Taylor

Susan Brubaker Knapp

Heidi Lund

And of course we can’t forget YouTube. I have been devouring and studying very closely the wealth of marbling videos on line.

So my question to you is: What’s the best professional development you’ve ever attended – the one that has changed how you do your art? I want to know!

PS – all of these recommendations are unsolicited – they’re just stuff I have learned from and appreciate – nothing comes to me as a result of you checking these out! (OK, FCC – happy?)

It is so interesting to me that we can think in our minds that projects will take so much longer, and then we actually never get around to them, because we “don’t have the time.” That was the case with my Salmon Run entry and with Desert Heat. I kept thinking I was going to need more time than it actually took to complete the work the way I wanted it.

I made the commitment last night to finish Desert Heat – and I did! Binding and all, it’s now on our wall in our bedroom. What I particularly like about this quilt is a bunch of things:

* I used some of my first hand dyes, and you can’t really tell mine from the commercial ones.

* I experimented with a pattern and everything about it worked. I just started out sewing triangles because I wanted something mindless to do last summer.

* I learned that when sewing bunches of triangles like this, it is best to press the seams open for less bulk. That is probably the only thing I would do differently in remaking this quilt (I can see a “winter” quilt to change for the seasons…).

* I pulled colors based on how “hot” they seemed – turns out in the final analysis I did have a light, a medium, and a dark value without really thinking about it.

* The quilting worked perfectly – I only took out about 8 inches until I had the tension where I wanted it. I am getting much better with that – checking first before I sew a whole side….

* I love my new threads! I bought New Brytes in orange and yellow when I was at the School of Threadology with Superior Threads. I knew I wanted heat and bright – much like the desert in summer. I was given in my goodie bag a wonderful Rainbow of oranges, yellows, and greens that worked PERFECTLY in my border.

* Not once did I break any threads. I love the #90 titanium needles. And I LOVE Superior Threads!

* Perhaps the best thing abut quilting yesterday is that I think I am finally getting my quilting stitch length consistent. I have been going quite slowly with the machine quilting, so my stitches have been pretty large. I hesitated about going faster, as I can get clumps of thread if I move too slowly. Well, this time everything worked. I went faster and the stitches seemed to keep up with my movement of the quilt sandwich. So generally very pleased.

Here’s a close-up of the quilting. The center and first border have a very large stipple, as I wanted to try and get “the heat waves off the pavement” effect. It also helped to flatten all the triangle points. The quilting in the last border is a much tighter stipple, which seemed to make the quilt even “hotter.”

And now, the reveal (yup, too much HGTV….) –

So – anyone interested in a pattern? I am thinking of writing this up if there is interest.

I would love to hear thoughts about what you learn as you finish up quilts! We’re always learning – that’s what makes this so much fun.

Yes, I am working, slowly, on a couple of pieces, trying to finish them up. I am inspired by what I saw at Superior Threads’ School of Threadology in April. I now have a wholesale account, and I certainly need some new threads to finish a couple of projects. I am also using the “crappy” stuff to start some thread fabric for a cape pattern I saw. I find all it takes is a little inspiration looking at other quilts and I am raring to go on new projects. But – I have other things to do, like backing up photo files, cleaning out files, working on three other websites, and finishing out the school year.

So here’s some eye candy from my three days at the School of Threadology – oh, to be able to do that kind of quilting! One of these days….

Pele and Hawaii - amazing thread painting

Heather and Bob Purcell collect quilts that 1) use their threads, and 2) showcase amazing machine quilting. You can learn so much just by viewing all the details in each quilt, front and back. One of the things I learned was that it’s okay to match color thread on the back with stuff on the front. Too often quilters use threads that match the backing and then show through in ways that don’t work. It’s okay to use what works back and front.

Closeup of Hawaii

This gold quilting in the next two shots needs to be seen to be believed. The quilting just shines, and there is so much of it! I like being able to fill the spaces available, and I am slowly getting more ideas on how to do this.

Amazing threadwork!

Can I just master this to start???

I’d like to be able to do this kind of feathering – nice and simple, and with variegated threads it should be gorgeous.

Nice, simple, and elegant....

The Superior Zebra - truly amazing!

This is the Superior Zebra, done especially for the booth, and the zebra is completely thread painted. Amazing really doesn’t cover the art and technique in this quilt.

So much to quilt, at least it’s almost summer break!

One of the activities I had a chance to do was thread painting. I’ve wanted to do this for a while but really had no idea how to start. As part of our Open Thread Bar at the School of Threadology, we were encouraged to try any threads we wanted. We had some fabric sandwiches prepared, as well as some large-prints that would be perfect to embellish with thread. I took more pictures of others’ work than of my own. I will definitely try this again, as I have a couple of Southwestern pieces that would be perfect with thread to made it more textured like pottery. Enjoy…

Using thread to paint

Thread painting

Thread painting

Another activity was working with Texture Magic, which ends up “crumpling” fabric with steam for a really interesting texture. I made a small purse, definitely not me, but I certainly have a few ideas for some pieces of marbled fabric. Take a look at the puffy feel to the fabric. Our instructor, Annie, is quite the creative person with her patterns, especially the purses. I can see a few of them in my future!

Heather and Annie with baby outfits

Using Texture Magic

Using Texture Magic

Thanks for joining me here, as I move everything over from Blogspot and Blogger. I have learned that I don’t own my content on Blogger, and I want to protect my work and images, so now I have my own new home, thanks to Suzan at Saltwater Systems and WordPress. Please follow along on these adventures. I have LOADS of art-related posts coming as a result of a busy March and April.

Suzan and I decided in November to treat ourselves to the School of Threadology, hosted by Superior Threads. We spent the next few months in anticipation, never realizing what an absolutely AMAZING time we would have. These three days in April are the BEST education I have had in my art career, and by far the best educational conference I’ve attended (and there have been many!).

There were so many wonderful moments, and I will just do a lot of blog posts with wonderful art quilts, and lots of Japanese philosophy (kaizen – continuous improvement) which permeates everything Bob and Heather Purcell do at Superior Threads.

I’ll start with the first morning, and a tour of the warehouse, where we had our own labeled boxes for easy shopping (better than a candy store!).

A Candy Store of Thread!!

Cindy Needham was our first instructor, and does she do amazingly beautiful work. She quilts on silk (yummy), as well as on antique linens. I’ll let her work speak for itself. Be sure to click on the pic and see some of her incredible detailed quilting.

Purple Silk with Threadwork

More Amazing Threadwork - look clasely....

Another look at the Purple Silk

Look at the exquisite stitching.

Closeup of Stitching

Another close-up of stitching

Pearl work

This doesn’t even begin to scratch the beauty we were exposed to. Many, many more quilts and closeups of thread work to come. Truly an amazing experience!