Posts Tagged ‘art From the Heart’

Ya know, I’m not really sure.  I have a few goals this year of entering a couple of shows, and a couple of proposals for galleries, but I keep wondering about the work I am doing. First of all, I really love the art that I am creating. I’ve had a love affair with fabric for years, and now that we are turning out some really great pieces with our marbling, I love it even more. But I feel like there’s a lot more.

The big change for me in how I looked at my fiber came when a quilting friend took a piece of marbled fabric and quilted it all over. I had secretly suspected there was a lot more I could do with embellishing the fabric, and Ellen showed me I was definitely on the right thinking track…it took me a year or so of playing with threads and the sewing machine and my ideas to create something that I really felt was good – and different.

I’ve written before about entering shows and getting rejected. Hey, it happens. It’s to be expected. Wjen I objectively look at work accepted into shows (like it’s really possible to be totally objective….), I am struck by how “quilty” the pieces are, even those billed as art quilts. I also can recognize styles and “names,” and I keep looking for something really different that pushes the boundaries of fiber as art. And then I always figure it’s just me and sour grapes.

Now here’s where I’m not sure just what it is I am trying to say. And this has been brought on by a post by Elizabeth Barton, an art quilter and artist and juror of art shows. “Quiltopee” was a post about a week ago that has me pondering. Here’s the beginning of her blog:

“Quilters often say they wish that “they” (critics, museums, galleries, collectors, the public) would recognize quilts as a mainstream art medium.  Other media, for example photography,  have developed to the extent that most museums now include  photographs in their collections and display them regularly.   So, why not quilts? At least part of the answer is that quilts have not developed from their early beginnings in anything like the way that other media have.”

I find this really intriguing. Art quilts seem to be the rage, and I see some pretty amazing ones. But I also see “art quilts” that seem to take everything that can be done with thread and fiber and machine quilting and throw it all together, just because you can. I subscribe to the philosophy that “just because you can do something doesn’t mean you should.” Just because you can machine quilt something to within an inch of its life doesn’t mean that’s what your piece really needs. Yet those seem to be the quilts that are getting in to shows and winning awards.

Elizabeth continues: “Contemporary art is rich, diverse, and unpredictable.  While  painting, drawing, sculpture, photography and crafts are still popular,  new media  are more likely to be seen in contemporary art shows: film, video, audio, installation, performance, text, computers.  And media are frequently mixed.  It’s hot to use an “old” medium  in a new way: paintings that are pixilated, drawing with chocolate. But how many quilts have you seen made from chocolate? (though it’s a grand idea!).”

She goes on to say (and this is what really struck me): “But I’m afraid, and correct me if I’m wrong(!), we don’t see these kinds of things in quilts.  Quilters tend to stick very much to making quilts the way they were always made.  There’s nothing wrong in this, but that’s one reason why the contemporary fine art world is not very interested.  They’re not so interested in paintings made the traditional way either.”

Hmmmmm. I’m doing things with fiber and marbling – an unconventional marriage to begin with – and adding thread, additional painting, unusual hangings/display means. So much so that people who look at my work don’t know what to call it….”Is that supposed to be a quilt?”

Well, no. It’s art, it hangs on the wall. You can look at it, appreciate the subject matter, mayne think about how it was made. But how does it affect you? What do you see? Forget the “why isn’t it a regular quilt?” They don’t see any underlying message to the subject matter.

Elizabeth finishes with ” I think that the answers to questions as to why art critics arn’t interested in quilts are evident in both formal and content areas:  quilters don’t really want to stretch the medium to uncomfortable (if not breaking) lengths, nor do many of them want to address some of the contemporary issues evident in main stream art.  As I said before, neither good nor bad, but, rather, why!”

The small fiber piece I created in response to the Tucson shootings upset a few people. The subject matter was raw; it was created during the first week after the shootings that killed 6 and left 13 wounded. One snarky comment (anonymous, of course) in our local paper said, “Where was she with a quilt to wrap up Hitler? That would have saved some lives.”

As I’m writing this post, I’m also processing. The Art from the Heart website does contain art quilts – and other media –  with a message. They probably wouldn’t be accepted into any kind of art quilt show. But they are addressing contemporary issues. So am I ahead of myself? Am I pushing myself in other directions that the fiber world is ready for – the quilting world isn’t – and may never be?

I am really interested in your comments to this post, and Elizabeth’s ideas in general. You can see some of my earlier fiber work on our website. The more “message-driven work hasn’t made it up yet. One of my goals for the first half of the year……

I’d like to post a reminder here for readers about the Art from the HeART Project and its current push to get 50 works of art on the site by January, in time for remembrances of the January 8 shooting victims in Tucson. Please consider creating a work of art that speaks to peace and kindness, in any size and any medium.

Submission Guidelines

You are about to embark on an artistic endeavor to help change our world. I firmly believe that each one of us can be an instrument of change, regardless of how small. Please join us in creating art to heal our wounds.

Art From the HeART: Healing Hatred, Promoting Peace

An Online Exhibit to Counter Hatred in the United States and Foster Peace in the World

In Memory of: Lives lost and changed forever in the shootings at 10:11 AM on January 8, 2011 in Tucson, Arizona.

Who: Any artist who wishes to express his/herself about the growing problem of hatred, hate speech, discrimination, prejudice, and political vitriol in the United States. Any artist who wishes to express his/herself about the need for peace and nonviolence from our neighborhoods to the planet.

What: an online exhibit, complete with process descriptions, of art designed to bring attention to the growing problems of hatred and violence in the United States, as well as the need for peace and nonviolence on the planet.

When: starting as soon as possible and continuing until such time as violence and hatred are no longer problems within the United States or the world.

Organizers: Linda Moran, digital and fiber artist, Tucson, AZ; S. L. Drury, digital and fiber artist, Sedona, AZ; Anne Huskey-Lockard, mixed media artist, Peru, Indiana.

Art: 8 by 10 inches to 9 by 12 inches work of art depicting some abstract or realistic image of the growing problem of hatred in the United States or the personal reaction to events caused by hatred and discrimination in this country. These works of art can be paper, fiber of any kind, oil, photography, weaving, water color, mixed media or digital images. The purpose of every piece MUST BE to shine a light on the growing issue of hatred in America and/or promote a message of peace and nonviolence. Work that is larger or smaller than the indicated sizes will certainly be considered but may not fit the online needs. At this time sculpture or other three-dimensional objects will not be considered. SIZE is NOT a primary consideration. If you work larger or smaller, please continue to do so. The hope is that this size might be comfortable for many who might not otherwise enter.

Submissions: jpgs (one full image and one or two close-ups) at 72 – 100 dpi shall be sent to submissions@artfromtheheart.org along with a written description of why this image addresses the issue. Additional consideration given to personal stories behind the art. Please include media type, materials used, and size of work in description.

Current Deadline: December 15, for art work to be juried onto the site in time for remembrances on January 8.

Jurying: once the jpg of artwork is submitted, along with the written description/essay of the work, artists will be notified of their acceptance within two weeks. Artists retain all rights to their images. Artists will be allowed a link to their personal blogs or websites, but this is not a venue for marketing or selling work. With acceptance of their piece/s, artists commit to spreading a peaceful, nonviolent message.

Please help to spread the word and message of Art From the HeArt. You can view the website here.

Linda, Anne, and Suzan

I finished my entry for Art from the Heart today. This was a tough piece to do, but it had to be done. It started last Sunday, the day after the Tucson shootings. I wanted to do the Journal Project from 3 Creative Studios, and my goal I set was to work in a 8.5 by 11 inch piece, using only scraps from  my stash.

Well, last Sunday I was in deep depression over the shootings and had to work with some fabric. I pulled some blacks that looked like barriers, fencing. One looked like chicken wire, and one like barbed wire. Black and white, barriers. I used the traditional courthouse steps pattern from quilting, and then used red thread for “blood” to stitch those into place. I was staying pretty literal at that point.

From there I wanted to look at the words and ideas that continue to divide us as a country, but I didn’t want it to just be words. What about action on our parts? I printed out the words on white fabric and then sewed them to the background. If you look at the words closely, you’ll see I used a large needle with very fine thread, as I wanted the needle holes to show…like the bullet holes that wound us.

I actually had trouble coming up with the words to use. So many words I thought of are far more inflammatory than I wanted for this piece. I wanted more general terms that would not cause people to fixate on them and get angry. Yes, the vitriol is heating up, but the purpose of this piece is not to add to the anger. I included left-wing as well as right-wing, and if you look, they are on the opposite sides of the quilt. This needs to be about “us,” not “we” and “them.”

I knew I would have a candle with a flame to illuminate the darkness. Again I printed out the names of the shooting victims. I know from visiting the Vietnam Memorial how powerful names can be, and I do not want us ever to forget these six people. I want their lives to shine down on us and help us overcome these horrible things that divide us. I used three different colors of metallic threads to develop the light from the candle. It doesn’t photograph as brightly as it actually is, so I may still add more  strands of candle light.

I don’t think – in fact, I know – I’m not done. There is more I need to say through fabric, but I need to get a week or so of distance for myself, as well as work on the website. Plus, I am having to think through my own issues with some of these words – monitor my own language and actions.

We made it through the week, but not without a lot of extra angst. We planned on Thursday what we would do to keep the kids save if the WBC protested outside out school. It is not easy trying to convince teenagers that doing nothing is the best course of action.

I got to school on Friday at 6:45 AM to find several police cars already in front of the school. That was a comforting sight. Those of us volunteering met in front of the school, only to hear that the WBC members hadn’t gotten on the plane to leave Kansas, so good news for us. The police wanted us to stay through the next half hour to help students enter in case others decided to show and protest.

When we went back out, the Angels were across the street. This is a group of people who show to protect groups from the WBC protests. They do this around the country, and specifically in Tucson to keep the families of shooting victims from having to see the hate.

I got tears in my eyes. It was a beautiful site, these people who don’t know us who came to protect our students from these hate-filled people. The kids thought they were the “bad guys,” and so we were explaining to them this whole situation. A lot of students were convinced they were the KKK, so yet again we had interesting discussions in class, rather than doing a lot of math.

Everyone was tired, and it was certainly difficult maintaining the usual classroom decorum, but as I’ve said, sometimes systems of equations take a backseat to life. I’m still feeling very raw about everything, but I’ve been getting good feedback for the Art from the Heart project. I spent a few hours today working on my piece, and I should be able to finish it up tomorrow. It is raw, like my emotions, but I think it conveys a powerful message. I’ll have more on that tomorrow.

Being a teacher is hard work at the best of times, but this week is definitely one for the books. Dealing with your own emotions in a time like this is hard, but trying to help teenagers understand the ramifications of their own actions as well as trying to understand the motivations of groups like the Westboro Baptist Church – well, it’s a supreme challenge.

At 7:30  this morning is news that the WBC will be picketing my high school on Friday to protest our ethnic studies programs. Oh, good. How do you explain to young people whose brains are not yet fully developed to make good choices that they will be confronted with hateful messages and they shouldn’t respond? In my classes, after managing to get some math accomplished, the questions just kept coming. Why are these people coming to our school? Do they hate us? Why do they say that God is glad little Christina is dead? Can we protest? Why do these people hate Mexicans? Are they really Christians?

Wow. Makes finding the equation of a line using only two points pretty insignificant. How do you get kids this age to understand the wackos who spew hatred deliberately to inflame and sue and collect damages, regardless of whom they hurt. My high school has amazing students within such incredible diversity: we have a support group for homosexual students, we have strong ethnic studies classes that help students understand their own diverse cultural backgrounds, we have fine arts programs to rival small colleges, and we have students who are organizing to present a calm, peaceful face to these protestors.

But we also have kids for whom violence is a fact of life. Too many students here have lost loved ones through acts of violence. You tell them someone wants to cancel their classes because they’re a minority, and they want to lash out. It is so difficult – and so needed – to get the kids to listen to your message that what these people want is to have you react, to mess with you, to get you upset, and that the best way to cope and make a statement is to stay silent. They lose when you don’t respond.

So they leave my class after 30 minutes of intense discussion and historical background, and you wonder how much made sense, how many would reflect on this evil that will take over our sidewalks on Friday, and how much more can you as their teacher take? This has been a very hard week. So many questions, so few answers, so much hate.

I’m going to sit and watch the President. I need this.