Posts Tagged ‘C&T Publishing’

Top Ten Tuesday – New Art Blogs

It’s been a while since I’ve written about some of my daily go-to blogs. I’ve discovered a lot of new ones over the last year, both art-related and not, so here’s an update of blogs you don’t want to miss.

365 Project – aside from the fact that there are amazing photographs each week, the site has you start your own daily photo journal.

365 Project homepage

 

Waiting, by John

Elizabeth Barton writes a blog with tips, inspirations, art work, and wonderful pondering thoughts on your own art. If I could choose a mentor for a few months, it would be Elizabeth.

The Art Biz Blog is essential. Alyson Stanfield gives you spectacular advice for managing and promoting your art business. Start reading her if you aren’t already.

I love Larkin Van Horn. Not only does she create amazing work, but she likes using our fabrics! I had a chance to reconnect with her this past March at StashFest for the La Conner Quilt and Textile Museum.

I follow the C&T Publishing blog for two reasons: I like to see what’s new….and they do giveaways, and one time I actually won! If you’re in the business, you need to keep up with trends,

Dale Anne Potter got me started last year on positivity and the Law of Attraction. She is a great artist, and she has been helping others achieve their dreams.

Vicki Welsh does some of the most amazing hand-dyes, with color gradations to dye for (pun intended)!

Generation Q Magazine just made it into print, after a year of online articles and features. Lots of potentially great stuff here!

Insights from SewCalGal is my go-to site this year for machine quilting. My skills have improved tremendously, I did a tutorial for Darlene, and there are great giveaways – fantastic site!!

And last, but certainly not least, the Textile and Fiber Art List, a group of over 300 artists from 30 countries. Amazing eye candy! Take a trip through blogs and Etsy stores for artists in everything “textile and fiber” you can imagine! A wealth of awesome information.

Continuous-Line Quilting Designs – A Review

My machine quilting has improved tremendously over the last six months. It’s amazing what quilting for a couple of hours every day will do. This current large piece is moving along nicely, and I’m taking the time to really think about how every element has to work perfectly together.

But…I still need quilting ideas and help. For the longest time I’ve heard about Continuous Quilting Designs, and I’ve looked at them, mentally followed them, and then wondered how on earth I could possibly do that. Now that I’m expanding my repertoire, I am still kind of confused about creating a whole motif in one section of a quilt.

I found the answer. Laura Lee Fritz has a series of books with C & T Publishing, and I just had a read-through of 250 New Continuous-Line Quilting Designs. In the words of my students, “OMG, I get it!” Within the first couple of pages I knew I could do this. Laura spells it out simply and completely – how to do EVERY single step. From setting up the book itself for easy use to the types of water-soluble stabilizer to transfer of design to actually doing the quilting – there is no question you will feel like you can create every single one of these designs.

It never occurred to me to trace the design. Maybe that is an obvious step to a lot of people, but “free motion” to me means free-hand. Not so. Here’s what Laura says:

“If you aren’t ready to make the leap into free-motion quilting, there are simple steps to follow to transfer the designs onto your quilt top. 1. You can trace your designs onto water-soluble stabilizer with a permanent pen (Sharpie and Pilot are good choices) and quilt through it as the topmost layer of your quilt. Try the Solvy stabilizers made by Sulky, or Dissolve from Superior Threads, as they really do wash out of the cloth.” (page 4).

There was such a moment of a-ha for me. So that’s how you do it.

Here’s a really important note that makes a lot of sense to me, given the work I’ve done with dyslexic students and my readings on brain research.

“Begin by tracing the designs with your fingertips or a pencil to practice the paths, and you will learn to stitch many of them free-hand. This tracing makes the pattern a physical memory and helps you quilt more smoothly.” (page 8) Muscles have memory, and I need to practice moving the paper design as though it were cloth, to help train my fingers and eyes just where I need to go. This one sentence tells me Laura really understands this process.

As for the designs, Laura has the following sections: Globe Trotting, Scrolls and Angles, Wilderness, Oldtime Cowboys, Heroic Moments, Wetlands, Baseball, and Edge of Town. I’m looking at the headings, thinking “no way.” Turns out there is at least one design in each section that I could incorporate without really even thinking about it.

This is an excellent resource for both beginning and intermediate quilters, on a domestic or long-arm machine. I would think, if I still did hand quilting, that this would really free up design for me. I strongly recommend this book for your library.

PS – in accordance with FTC guidelines, I need to tell you I received a free e-book of this title, with the condition that I would write  a review. Viewers of my blog know that I am honest and wouldn’t do anything that would lead you astray in books or materials. My reviews are from the heart and meant to be helpful.

I Won a Book – C&T Publishing!

I never win anything, even those hope springs eternal (and yes, lottery ticket is bought for this Saturday night…). And I am fairly compulsive about entering give-aways on line, even though I never see my name as a winner. So imagine my absolute delight at an email from Tristan at C&T Publishing that I won a copy of Cindy Walter’s book, Fabric Painting with Cindy Walter. Aside from the fact that I won, this is an area I really want to try. I’ve watched videos and done some reading, but I have been seriously intimidated in getting started.

So on Wednesday, with a balmy 81 on the porch, I read the book cover to cover – something I don’t usually do with an art process book. But I gotta say, this was very different. From the beginning I was hooked. This is billed as a Beginner’s Guide, with 11 techniques. I was dubious, as many of the previous books had left me in the dust by the second page. Not so with this one. By the time I had finished the book, I knew I would be able to do every single technique without a problem. Cindy’s writing is clear, the diagrams are excellent, and the instructions are top-notch. And this is from a writer herself, who always struggles with pattern instructions to be sure they are crystal clear.

For example, I have struggled with what kind of paints to buy. I had no clue about transparent and opaque, and in between. I no doubt would have bought the wrong ones and gotten discouraged with the whole process (much like my adventures trying to follow dye recipes in a “beginner’s” book).  Same thing with brushes. After all these years of working on my marbling and quilting, I know the importance of top-notch supplies, and I appreciated the recommendations. I really liked the lists of supplies, the do’s and don’ts, and all the helpful tips spread throughout the book.

Dry or Wet? is the first technique – and I like that it gives you a feel for the process. I’m pretty certain I will like the wet process more, especially since I wanna do scrunching and salt – I love those effects – I’ve always admired them in fabrics, and I want to be able to do it myself. I am especially interested in seeing how marbling works after the fabric has been painted – my ultimate goal.

At dinner last night, rather than throw away the mushroom container, my little artistic voice said “NO – this will be a water container.” Hubby is now under strict instructions to save all the styrofoam for me now.
It’s a good thing I picked up another set of storage for the studio, since I was running out of space (I just needed a few “empty” cubbies for ongoing projects…), because now I have a place to store styrofoam, my soon-to-be-purchased brushes and paints, and salt….and anything else I could use (and as artists we know just how long that list can be).

 

PS. In the interests of FTC regulations, should you order this book from the Amazon link above, I receive some small change. Or you cna click on the other link in the first paragraph and go right to the C&T Publishing site to order.

 

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