Posts Tagged ‘marbled fabrics’

Busy week! The commission piece (the triptych that wasn’t) is done, awaiting beading. As I was on the floor at yoga last Friday, I was looking at a very skinny part of the wall and thought, this would be perfect for a long piece. On Thursday night I had started the stitching on the lichen, and I absolutely loved the way they worked out, and I no longer wanted to cut the piece into three. This skinny wall section will be perfect. So over the weekend I steamed and blocked the piece, got the binding on and hand-stitched down. Love it! Took it to yoga on Monday to show her, and she is thrilled. The only thing needed at this point is some blue beads along the “stream” to add an additional color and bring the piece together. Formal pictures next week when the beading is done.

Also completed are two new fiber bowls for my gift baskets of marbled fabrics, set to go up in the Etsy store. We’re doing pictures later today so I can get the stuff up in the store. Wrapping clothesline with fabric is the absolutely perfect activity for watching television at night.

And…I am finally starting another major piece that has been brewing for a couple of months. I’ve had the backing since October, and the marbled fabric was done in September. I finally got the batting two weeks ago, and today I made the sandwich, chose thread, and started the quilting. It’s sort of a whole cloth, but not really. There’s no piecing at this point until this center medallion is done, and then I’ll just kind of see what happens. This seems to be the way I work….intuitively, guessing along the way, trial and error. Most of the time it works.

Here’s the first focus fabric….very “brain-looking,” and I’m approaching it as though these were dendrites in the brain. Doing a thread check –

– going for the one on the top, as I like the black section in the thread…looks like the nerve endings are skipping, which is the look I want. The lower thread will be in the bobbin.

I started the stitching, and then I took everything out – not happy with tension, and I wanted to analyze the pattern yet again.

This picture, when I saw it through the view screen of the camera, made me somewhat upset. I couldn’t see the discrimination of the black and the blue through my own eyes. I am having to look at it through a photo, so I know where I want to stitch. THis is the first time that I am aware of my eyes not being true to what I am seeing and want to do. Doesn’t make me happy…..

So I took my own advice from the Monday Marketing post to just get in there and do the work…I did, and I have a lot to show for it, with more to come.

Busy week! I’ve been dutifully getting a list made each day, and I am being pretty successful at accomplishing everything. The biggest news….I FINALLY have all the names entered to be able to start the newsletter. Next week it should arrive in your mailboxes….a mere 16 months after the last one. I’ma workin’ on it……

Here’s a couple of pictures of what’s been happening this week. We are waiting on about 10 years of pima cotton to get started on our next big order, as well as a large order of paints. Meantime, hubby is planning to marble some small test pieces for a couple of projects. First up, a piece of linen that has wax on it. We met a wonderful batik artist up at StashFest in La Conner, Margot Bianca. You can check her Etsy store here. We spent a lot of time talking, and we’re going to marble a piece of linen, and then Margot will dye it, and she is going to batik a piece of already-marbled cotton. Should be a lot of fun to experiment. We’ll show results as they happen.

The studio is ready for marbling. We can dry in the garage, but sometimes for pretreating, it’s just easier, especially if there are mostly small pieces, to set up the drying racks in the studio. We sure do know how to maximize space!

And we do recycle, as you can see from the OJ bottles – they are perfect for keeping carrageenan as the bubbles disappear and then get stored in the refrigerator. We always cover up the rugs, even though we are obsessively neat, because the one time we don’t, paint will spatter…..

I am currently finishing a piece for my yoga instructor, as we are bartering: art for yoga lessons. You may recognize the piece….this is the “remains” of my “Shallows” piece, and it is in the process of becoming a triptych. More on that as it gets finished, hopefully by next week.

Still lots of shading, binding, lots of beads so that we have a small stream running through the three pieces. And of course, my lichen……

I’m also trying to start the pattern for the seasons wall hangings. I’ve got the ideas, and potentially the right fabric. Here’s spring….

…and here’s summer…..

I may actually combine the two…it will depend on how it works out.

There’s lots more on the list, including a new book I am starting on tutoring. I need to schedule significant writing time, along with all the sewing. So far, so productive!

 Oh my goodness, oh my goodness, oh my goodness…..and I could go on! What an amazing four days of art we just had….and we did quite a bit of marketing along the way. We just returend from Road 2 California – my first large quilt show since Market in 2003, and hubby’s first large quilt show. Two days of amazing quilts (photos to follow this week, after I get myself reoriented to basic life here….), plus a day at the Getty Museum – and coping with I-405….interesting experience there……

One of the best things I did in preparation for the show was bring three really great fat quarters with me, just in case someone was “interested” in seeing marbled fabric. One fat quarter went to the “quilt royalty” that was at the show, and one went to Susan Else, the guest artist – she will definitely have something different to use in her sculptures.

It was really helpful as we were looking at some of the cool tools to pull out the actual fabric and ask questions very specific to its use. This was particularly true at the Pellon booth, as we were talking we began to realize that if we are to take our fiber work to the next level, we need to seriously consider what is used in between the layers. We looked at embroidery machines, as I really would like to include some machine embroidery in the new pieces, and we had a fascinating discussion with the Brother people that could potentially lead to some licensing opportunities.

I collected a lot of business cards, as there was either a really interesting tool or embellishment I want to share. Hardly any book dealers, which is why I may need to consider Market this year or next. Speaking of books….I got home to about 300 emails, one of which was a request for photos to be in a book. That’s definitely a follow-through for this week. Renewed my Quilt Show membership so I can keep up with what’s happening in the field.

Interesting marketing observations. One company with really interesting hand-painted fabric doesn’t have a website. They only sell at shows. They don’t want to photograph fabric so people can see exactly what they are going to buy. I understand that; that’s precisely why there are some online venues that won’t take us, because they feel the need to photograph every piece of fabric. That’s why we sell on eBay and Etsy – what you see is what you get. We have a note on our ordering page on our website about why there aren’t pictures. We don’t get many orders off the website, but that’s okay, because we have other venues. No hand-marbled fabrics at the show, but there was a booth with commercial marbled fabric; nice line of fabric, much more subtle than what has been released by major companies in the last few years. Lots of quilts made up – using a stained glass approach – using the marbled fabric. Interesting to see.

Some booths had absolutely no information, beyond a business card with only an email. I tried making notes, but I figured there’s no way I’d be sharing that information. No web presence, and no pictures allowed to let people know what was available. Hopefully they make enough doing shows to make it worth their while. We couldn’t do that; the press of making fabric for our Seattle trip is enough.

It’s probably the most fun to put names and faces to cyber contacts and to ooh and aah at the gorgeous artwork. We went through the quilts twice, making sure we didn’t miss anything, and trying to find time to just enjoy the quality workmanship. I wouldnt have been able to take this amount of time had I not been retired…..

And after all that, as I was perusing and cleaning out emails, I stumbled across this older email that I hadn’t read, from resident web guru Suzan. I know there are more applications to marketing than meets the eye, but since we artists rely on our hands to make our art, this seems interesting food for thought. A Brief Rant on the Future of Interaction Design.

Stay tuned – lots of pictures in the works!!!

Ira Glass on Storytelling from David Shiyang Liu on Vimeo.

I’m doing more practicing for the Free Motion Quilting challenge. This is a bit of a “challenge” for me, as I am not used to just practicing without it becoming something I can use. I keep thinking about what I can turn this practice piece into……I need to get over that! It’s practice…..practice……practice…..

Now, in keeping with the video, we’ve been marbling for nearly 20 years. We look back at what we originally did and are kind of appalled at just how bad the initial pieces are. But it was fun to marble, and so we kept on and experimented with new patterns and other things to do with the fabric. This was practicing to get good. And now, with a couple of new opportunities, we are “practicing” even more, and the fabric looks amazing. And for the first time in a lot of years we are trying new patterns. In the last 50 pieces we have done, we have perfected three new patterns from the traditional.

We have a system for all the various stages, but more than everything involved in the process, we are having way more fun than we used to. We get good feedback, and I think for the first time we realize our work really is good and belongs “out there.” Funny how validation from others makes a difference!

So the Humane Society takes old bedding and sheets for cage blankets……that just might be where some of the practice pieces go………sheesh, it’s a rambling kind of day…..

I’ve been working on improving my free motion quilting since June, when I took apart an old quilt and redid all the quilting. I am doing a HUGE amount of quilting right now on a piece I’m working on, but with the start of Sew Cal gal’s free-motion challenge for the year, I am plunging right in. We got our first lesson on Sunday, and I started on Tuesday with some practicing. This is a lot of fun. Here’s my first attempt:

Bottom Line by Superior Threads in the bottom, with a Superior Rainbow in the top, feed dogs down. Overall pleased with the stitch length, as it seems pretty even. However, I keep feeling like my stitches need to be smaller. But the pattern is easy to follow, and I like the effect.

Along with this challenge, Leah Day is continuing her pattern-a-day with a Wednesday Quilt-along. Several of her blog posts have talked about getting ready to free motion, and she posted her “wiggle” practice.

So here’s the word on the additional practice. I used Superior LAVA Thread, with some Bottom Line in the bobbin. I was pleased with the design. I even tried a variation on the left side – leaves next to each other.

This was intriguing for me. Normally with something like this, I try to be exact in the practice, but I found I really wanted to take off and try a few variations. The only reason I think I did this is that I’ve been doing some practice since June, so I felt more confident.

Someone suggested trying to quilt with leaving the feed dogs up. So I tried that today as I was practicing Leah’s wiggle. If you look closely you can see where I removed stitches because the tension on the back was off badly. In fact I removed stitches three times.

Now I wasn’t having any problems moving the sandwich around with the feed dogs down, and I adjusted tension on the top. Bottom Line in the bobbin, King Tut in the top. It finally occurred to me that maybe for my machine I needed to have the feed dogs down. Yup, that was it. Fixed the feed dogs and everything was fine. You can see that once again I was trying a variation of the two patterns.

I also tried to see how small I could get the leaves.

Again, overall pleased. I do need to practice going backwards. I like changing the direction of the vines with each leaf. That’s something I will probably keep. One other thing I tried was speeding up the machine, and keeping the hand speed the same. The stitches were smaller and fairly consistent, but I must say I like the somewhat longer stitch length. I think it shows the thread more.

I think this is going to be an excellent way to practice. A lot of my previous free motion practice has been on marbled fabric, where the line of the pattern helps guide you. Some marbled patterns lend themselves to a regular foot (like the chevron), and some need a free motion foot (like the nonpareil and its variations).

The bamboo stalks are quilted using a regular foot, just following the line of the pattern. The quilting really adds dimension.

In the avatar I use on line, Rainforest, I used the free motion foot and just followed the line of the pattern This particular pattern, which we call free form, is a lot of fun to quilt. You get in a kind of zen-like mode when quilting this.

In this closeup of “Ocean’s Bounty,” the traditional stone pattern lends itself really well to free motion quilting. You can see the whole piece with all the free motion quilting after this small shot.

This is a small piece of turquoise silk that has free motion quilting along the pattern to accent it. Complex pattern to quilt in free motion, but it gives some great effects.

Here’s a closeup of “salmon Run,” accepted into an art show in Alaska. The free motion quilting follows the nonpareil wave pattern.

 You can see more of the art quilts at our website.

And….along with everything else today, we marbled 20 fat quarters in preparation for a show in Seattle in March. They are gorgeous. Here they are, folded and ready for packing.

And then this afternoon, we cut another 10 yards for another 40 fat quarters, along with the 15 we still have, for the next three marbling sessions. Pretreat one day, alum the next, and then marble the next. It’s going to be a busy two months, but oh, are we having a good time!

Not a whole lot of pictures today, but a whole lotta work going on.  We are in the process of marbling 400 fat quarters for StashFest the end of March. This is a fund raiser for the La Conner Quilt Museum, and we have been invited to participate and sell our marbled fabric. Yay! So needless to day, there are a LOT of marbling sessions ahead of us. With hubby’s health, we are being very careful about scheduling the sessions. And…we are planning ahead. Counted the number of weeks we have, allowed for vacations, and started ordering LOTS of pima cotton. Hubby is really in the groove, and the fats are looking fabulous. We pulled out one of the marbling books and are going to try some new patterns as we work. Pretreat, alum one day, then marble the next….all our mornings are set aside for this. Plus, I can’t wait to get to the Northwest. It’s been on our bucket list for a number of years. and now it’s actually going to happen. So send me suggestions for things to see and do – and eat – in the Seattle and Portland areas. We’re going to save the ocean spots for another trip. We’ll be happy, us desert rats, with rain and fog and humidity!

Those of you in the Seattle area, mark your calendars for March 31 and April 1. There should be publicity hitting any time now in your area. You can check the Stashfest website for more information. Also, we are taking small quilts with us for display purposes at StashFest, so if any of you in guilds would like us to give a talk (and perhaps a demo), please let us know.

Now, along with that are several shows I have decided to enter. Some I have recent work for, but most of them will require the creation of new work. And I am so up to the challenge. The piece I am working on now, for a show deadline in February, is teaching me – and speaking to me – a great deal. I am thrilled with how it is turning out, and even if it doesn’t get accepted to this show, I know I have created something different, meaningful, and beautiful

Here’s what I’m looking at:

Visions – 2/13 (If I’m going back out there, go big….last acceptance for a major show – Expressions in Fiber – was in 2004. And if accepted, I’ll let you in on what prompted me to go for this.).

Art Pin-Up – 3/2 (12 x 12, very do-able, and no jurying….)

Fish Follies – 4/20 (?) (great acceptance rate over the last 6 years for fiber. This year I have a really wacky fiber idea…..it is Follies, after all….)

Tactile Architecture, Hands All Around – 4/27 (one piece is already completed….)

I’m Not Crazy – 5/5 (idea is sketched)

Pushing the Limits – 5/16

Pattern Base – book inclusion, June 12

And this is just the first 6 months. So I guess a goal for this year is to get out there and enter my work! Along with trying to set up two individual shows.

It is going to be an awesome year of taking chances!

I’m looking at this coleus, which is from a picture I took several years ago at the Tucson Botanical Gardens, and I wish I could remember how I did it…..I need to find the original psd file and see if I can backtrack on it. I am enjoying getting back into playing with Photoshop at least once a week. And I have loads more pics, as we spent yesterday morning strolling the gardens. I have a show in mind called Digital Desert, where I use all local pictures of the desert that have been manipulated in Photoshop. I think that will become a “work in Progress” for the new year. I even have the name of the person to contact about a possible show. As I think about it now, I could put a small pic of the original shot on the intro card, and then display the newly manipulated image. Hmmmm……

There’s been lots happening here. The major work in progress is a business piece – we have been invited to participate in Stash Fest, a fund raiser for the La Conner Quilt Museum in La Conner, Washington, on March 31 and April 1. We will be bring a LOT of marbled cotton and silk with us, so we have started already to make fabric…and run into a couple of road blocks. One, the BOLT of fabric we bought at a wholesale price, after trying a sample to see if it would work – doesn’t. Between getting the sample, trying it, ordering and waiting for the bolt, and then trying two marbling sessions, we’ve ended up with a lot of remnants and nothing for the northwest. So we kind of lost December for production. We have ordered our usual pima cotton and are awaiting its arrival. We will probably get one marbling session in this month to finish off a custom order and hopefully begin to create what we are going to need for La Conner. In the meantime, lists are made, labels done and ready to go, folding organized, bins for storage and traveling set up. So we are slowly getting ready.

I promised a reveal of the small log cabin winter quilt. Really enjoyed making this one, and I’m looking for what I can do for the spring quilt – need to get the fabric made, and I need to get at least one of the two big art projects completed and ready for photography. So here’s the little wall hanging:

The other big stuff I’ve been working on are two entries to a major art show. I am progressing, and I’m pleased with what’s happening. I just started a new shading on the bigger rocks yesterday, after trying some ideas. No question that the shading has really added to the depth of the piece, as well as add needed dark values. I noticed that I was being too controlled in doing the shadowing, and nature isn’t perfectly symmetrical. I need to “rough up” those shadows, as well as bring in some additional other “shadow” colors. I also realized I want to get a foot with a larger plastic opening, so it’s easier for me to see where I’m going. I went to the local Bernina dealer (there are several in town), and once again this particular store just manages to make me feel so stupid when I go in. I was told “that’s not how you thread paint.” Well, that’s how I’m doing it, and I like the effect, so spplttttt……(how do you show a raspberry emoticon?)

There is still a long way to go, and I have another piece ready to go, so I have to get busy!

Yesterday I started the “winter” quilt for the group of Seasons, and I made quite a bit of progress. It was an interesting day, as design decisions kept sneaking around as I was working. Now, a while ago I realized I had some “branch” left over from some silk flowers that I thought I could use on this piece. I got a bunch of pieces cut, and then I  realized that about 3 years ago I bought some snowflake glitter for just such a reason as this. And what follows is proof you need to be a little crazy to attempt mixed media….

After spreading some of the glitter on the quilt top itself, I liked it…and realized I had to do some massive clean-up of my “trial and error.” Then I wondered if I could coat the small branches with the snow glitter. Once I was able to finally get the glue bottle open, the fun began. I put part of the branch in the glue bottle, tried to shake off excess (not successful), and then dunk the branch in the bottle of glitter. Messy, and lots of snowflake glitter that would shed constantly.

Time for a new plan…dip the top part of the branch in the glue, and then using fingers, distribute the glue down the rest of the branch, and then roll the branch on the pile of glitter on the paper. Shake well and let dry. Clean off very sticky fingers, covered with glitter, and repeat….

I did about nine branches and worried about them drying and sticking to the mat board. I did about 8 small branches, and I love the effect….but I still have to figure out how to attach them. this is certainly a first for me. I’m not one to mix these different media together, and I can see why people get hooked on mixed media collage. In the meantime my idea to add a small piece of blue fabric before the binding changed – I ended up wrapping it to be the binding itself – a lot more subdued that way. I also did some stippling in the gray area – it gave it more texture and lightened the gray slightly.

After a lot of pondering, I took some of my beading processes to attach the branches to the top and bottom of the quilt. The reveal will be next Wednesday.

This last is the truer picture of colors – very icy, which is my complete intent.

  I am really fortunate to have a couple of good friends who can help me with a critique when I am working on a new piece. Sometimes the piece flows, and sometimes I’m blocked in making decisions and moving ahead. It is made more complicated by the fact that I am trying to use our marbled fabrics to create unique art pieces. In surfing the web on a regular basis, I don’t see anyone else doing what I’m attempting to do with marbled fabric in the art quilt movement.

There are a lot of things to consider in developing these pieces of fiber art. Are my sewing skills strong enough? Are my quilting skills advanced enough? Does the fabric speak to us? Can the design tell an interesting story? Can I work with the principles of design?

In looking at all these questions, there are two that I am the weakest in, and this is where my group of friends can really help. Quilting skills and design principles.

Momcat is my first voice. She is a digital artist in her own right, and a self-taught expert in Greek pottery, among all the other skills in being a Renaissance woman. Suzan is my overall digital partner and a superb, published quilter and designer in her own right. Karin is a water color artist with a very strong sense of color and overall design organization. Hubby is the marbler and can see things in the designs that the rest of us miss.

I am at a point in this new piece where I needed advice. Which way should the piece hang, for one – vertical or horizontal. Usually that’s one of the last questions for me, because by the time I’m done, the piece has usually told me what it wants. With this piece, I need to decide this now, as I will need to work on the shading with a light source from the “northwest,” which is how scientific illustration is done. I was leaning in one way, and my group confirmed that. They pointed out that I already had a lot of the “shadows” developing on their own from the new orientation.

The second was size and pattern. I am fine with all the quilting on half of the piece, but the other half seems naked of color and looks like it would require some serious thread work that wouldn’t necessarily add to the overall effect. I had been thinking about potentially cutting away half of the piece. We looked at that possibility, and once we folded back some of the fabric (which had never occurred to me), we knew it needed to be tall and narrow, not wide and thick.

Now, Momcat had sent me some of her photos of rocks and lichen that Dali had painted, and I LOVED the lichen. I was initially thinking of marbling some very small silk flowers and then attaching them with some thread painting. The group didn’t like that idea – felt they were not “tough” enough for the texture of lichen. Momcat disappeared, only to come back with a small vial of green stuff that she proceeded to spread on the one or two rocks that are already green. Perfect! Upon closer look – they are very fine chopped-up pieces of old money from the Denver Mint. Who knew? I guess now this is a “mixed media” piece…..We are also thinking about using some coconut Husk or actual moss from a pet store – need to think that through.

Next question: facing vs. binding vs. frame. How do I want to finish this? I don’t see a basic binding. We talked about fabric as an inner mat and as a frame. We looked at serging the edges – which I have done with pieces in the past, much to one gallery owner’s chagrin – “wasn’t finished properly” was her verdict. But I always let the piece tell me what it wants. I am thinking this piece is telling me it doesn’t want anything more to constrain it beyond a facing that wraps to the back.

The final discussion revolved around light, medium, and dark. I know if I were to take a picture of this and turn it to black and white, everything would pretty much be medium values. I know it needs more dark, so I need to think through how to do that with thread…..or moss…..or coconut husk…..or…….actual small stones…….

I left energized, ready to complete the piece. Amazing how being with a great group of like-minded visual people can  make a difference!

  I chose my “Explosion” piece for today because that’s the kind of excitement I feel starting this new season three. Seasons one and two of Cocreating Our Reality were eye-opening and exciting, and for the last few days I have been building up to starting a new journey today. First, I am so blessed to be retired and able to work on art when and where I want to, for as long as I want to. I get to spend every day with my hubby, and life is pretty much wonderful. Health problems – of course, who doesn’t have them at our age. But – that’s not stopping me from living a great life.

I discovered over the last two seasons when it was time to evaluate my goals, that I hadn’t really stretched myself – or thought big enough. So I have been pondering that for the last week or so. What is it I actually want to do?

First and foremost, kind of came to me last night in the moments before sleep, is probably the one most on my mind. I need to take this season and concentrate on me. It sounds selfish, but it isn’t. I have health issues that really need to be addressed, and for so many years they went to the side as other things – students, work, hubby – took their place. If I expect to be as creative for as long as I want, and get out and be politically active, and write – do all the things I want to – than I need to focus on my health. So that is goal number one for this season: take the cholesterol medicine, take my vitamins, watch what I eat, get out regularly and exercise, track my food intake, get some yoga teachings, get my blood readings where they need to be. I actually started thinking this way a few days ago, and I’m pleased to say the exercise has already increased, as well as having a bit more control over appetite.

A second goal is tied in to all this. I am getting a second opinion on my vision issues and will work to find strategies to help with the depth perception and balance issues. A new doctor’s appointment is scheduled for next week Thursday, and I have a teacher friend to talk to about some basic yoga stretches. I always knew this day was coming, and now that it’s here, I need to learn to work with the new limitations.

Overall, for the first time, these two goals seem very positive. One hundred days from now, March 10, I expect that I will have been enormously successful at these first two. That statement alone is a major change for me. It’s very positive, rather than using the word “try.”

Business-wise I have some very specific goals.

Number three in my list is to solve the newsletter/collectors’ information issue. I am, as was said to a friend of mine, “leaving money on the table.” This has to be a regular business goal. I am considering taking Alyson Stanfield’s “Cultivating Your Collectors” class in February. That will depend on a number of things, primarily finances. I am good at reading and implementing, and since I accomplished four of Alyson’s goals in I’d Rather Be in the Studio!, I should be able to accomplish at least three this new season. So: newsletter, portfolio (which we will need for a major event the end of March), and I will look through the list for at least one other. Newsletter once a month should be definitely do-able. A collectors’ newsletter once a quarter should be reasonable. I’m sure there will be others to add here.

Number four is searching out wholesale suppliers for cutting back basic costs of making marbled fabric. As of yesterday I have a new wholesale account with Kona Bay fabrics, as we use their colored cotton quite successfully. We are looking for wholesale sources for premium white cotton, silk/satin ribbon (like Offray), and probably some other materials.

Number five is ramping up our Etsy shop, our Fine Art America galleries, Cafe Press, and looking in to Red Bubble, Three Sisters, and at least one other online selling site. My overall goal in all this is to be able to update these sites once a week, as well as include items from these sites in our soon-to-happen newsletters. I’ve tried setting monetary goals for Etsy and Ebay, and they are very fickle, depending on the economy. I do tweet my Etsy and Ebay offerings once a week, which certainly drives traffic to the site, but I don’t see it converting. However, I know that it is only a matter of time, as is the case with this blog. I am about to hit 1500 viewers per month, so I know it is consistency. (Concerning the blog…when Facebook changed its latest set of operating, my blog numbers dropped. Turns out, on exploration, Networked Blogs was a casualty and needed to be reactivated. Once that happened, I saw numbers increase again…..I am amazed at how net-savvy we need to be these days!)

Art-wise I also have some very specific goals.

Number six is to enter a major show with new work. The deadline for this is mid-February, and I am already hard at work on the first of two pieces. The fabric has been created, and the ideas are flowing. Here’s just some of the fabric…..

Unpolished red satin

If I get accepted, great. If not, I will have two new lovely large art pieces for our body of work. But I am putting out to the Universe that this will be show-worthy art.

Number seven is to create the kit for Marbled Seasons. Yesterday’s blog post showed the first of the four small quilts/table runners. I used to have several patterns, all of which I sold the rights to. So I just need to make more. For this goal I want this set of kits completed, and two new ideas for pattern kits, plus a rewrite of my Polynomial Quilt pattern – which I used the quilts for that very successfully in an adult algebra class to teach multiplying, and it was highly successful.

Number eight is to be completely prepared – except for minor loose ends – by March 10, for StashFest at the La Conner Quilt Museum in La Conner, Washington. We have been invited to participate, and it means marbling about 400 fat quarters in the next three months…..another reason for looking carefully at wholesale outlets! This is an interesting goal, because after our last guild presentation, I put out to the universe that it would be fun to travel and do demos in the Southern Arizona, southern New Mexico area. Well, two days later I had this email…..as Dale Anne Potter, my muse with Law of Attraction said, I was open to the possibilities.

Number nine will build on the previous. Develop a letter/sample to go to local guilds for demos and classes. I think just the development at this stage, because we will be focused on making fabric for Washington.

Number ten, under the category of Miscellaneous, comes continuing to work on Art From the Heart, a site devoted to spreading peace and nonviolence in the aftermath of the Gabrielle Giffords shooting. We had two new entries this last month, and I am hopeful for more.

Now that I have these written, I have to chuckle in that I was concerned about trying to get my goals coherent for this season. These are more detailed than the past two seasons, and they will certainly stretch me.

So Day One – I’m going to sew, work on some lists, and get ready for a small craft event on Saturday. Plus, it’s the holidays, and I want to “do more good” this year on a daily basis. May you have a really awesome day!

Wow, being retired has given me a whole new appreciation for preparing for the holidays. In the past, if I was lucky, I managed to get some things done during the Thanksgiving weekend, but everything else depended on just how tired I was at the end of each school day. Not this year – my cards are designed and ordered – the pic at the left is of a great piece of red silk that I took into Photoshop. Really pleased with them.

Before I go in to the latest project, an update on the deer quilt from last week. We finally got it hung in our bedroom, its designated spot for the last ten-plus years. It looked awful…..there was absolutely nothing redeeming in it at all. Even hubby, who has loved the quilt since I first saw the pic realized it was pretty bad. So Karen S is the winner of the give-away of border trees, and some lucky child is going to get a “huggy” quilt. In the bedroom now hangs our Desert Heat quilt, and it looks perfect.

Now for the new stuff…..Hubby created a really great fat quarter of cotton that reminded me of a New England autumn. We had marbled some silk leaves earlier this fall, and I had in the back of my mind to make an autumn quilt and use the leaves. Well, now I had all the fabric, pulled a couple of browns from the stash, and was ready to go.

The start of the log cabin….this is the fourth restart….for some reason I wasn’t able to follow my own directions…..

First tentative layout…..

Another tentative layout…sorry for the lousy pic….

The three finished blocks – reminds me of walking through woods carpeted in falling leaves.

Playing around with the marbled leaves….have probably decided on this layout. Love the border fabric, which was very serendipitous. That fabric would not have worked had I gone with a different layout.

I love the leaves!

Ready for batting and quilting……more next week. Suggestions on a quilting design?

I finished the fish quilt, and I absolutely LOVE it! No question the machine quilting is getting much much better. Amazing how a good amount of practice will do wonders!

First of all, what it looked like last October….when I had plans to redo it for the arts and crafts show…..not…..well, evidently I don’t have a photograph. Suffice to say it was straight line quilting in the ditch – nothing fancy, because I didn’t know anything else. I took it apart….all the quilting stitches,,,,last fall, because I knew I had learned way more and wanted to see if I could improve on it.

I think I succeeded……

Marbled Fishes

I did so many things I never have before. I used two different decorative stitches on my machine. I did a lot of free motion bubbles, and I added a few beads, a la Lyric Kinard (whose video on beading is fabulous!). The story behind this quilt goes back to creating the marbled fabric. It “read” fish to me as it came out of the tray, and I looked for a traditional block that looked like a fish. I threw in some batik, some Moda, and a lime green backing and border. It was okay…..

I just knew I could do more with those fish. A lot of Superior thread later…….

Marbled Fishes

I am loving it. What’s great about this is as we embark on guild presentations, I want to have a variety of small quilts so that beginners can see that marbled fabric really isn’t any different from any other specialty fabric. That was the motivation behind this series of quilts. Now it’s off to look through my stash of patterns to see what’s next.

…and yes, I know I still have three table runners to finish in three weeks…..

Work in progress Wednesday was marbling, so it makes sense to show pictures of the process….I never seem to get my camera ready to capture the creativity! Hubby sets up the day before, alums all the fabric, and covers the studio (AKA the second room) with sheets to protect all the sewing projects), and then all the fun happens the next day. He also has cut, serged, and pretreated the fabric, in addition to all of the above. So there’s a lot that goes into the process before we can have any “fun.”

Here’s our new metal tray, which allows us to do fat quarters a whole lot easier than having to set up the big plexiglass tray. Who knew we just needed to visit a feed store and could get what we wanted? There for the longest time I was trying restaurant supply stores, looking for the largest cookie tray I could find……. We’ve already marbled two pieces, and hubby is just starting to lay the paint for the next piece. The paint you see is on the bottom of th e tray and won’t affect the new pieces.

More paint – you can see the initial concentration of the drops and then how it spreads.

The green is going on either side of the yellow and copper – hubby is experimenting with some new ideas.

More layers of color. Notice how the new colors are making the initial paint “condense” as it spreads and moves closer together. Hubby has what I call an “innate color sense.” He just picks colors and goes ahead. I’m the “planner,” and my stuff always comes out looking “muddy.”

A few more drops of new colors.

Starting the combing. This is the first “comb through” with the popsicle rake we use. You can see how the pattern is beginning to take shape over the next few process pictures.

Notice the pattern moving from “chevron” to a “nonpareil,” one of the most traditional patterns in marbling.

Sorry for the fuzzies….movement got in the way.

And now….some of the new creations drying in the wind before heat-setting and packaging….expect to see some of these babies up on eBay this week! This time’s session was just Kaufman cotton – silk and chiffon and broadcloth coming in the next session early next week.

I SO LOVE this art form! It’s a lot of “what you see isn’t necessarily what you get,” but the results are always gorgeous! Who among you has tried this, and what have you noticed?

Busy week – lots of marbling going on today as we start to gear up for the holiday season. The last two years we just weren’t organized enough to deal with the holidays, and we let them get completely by us. Not. This. Year. We will have fabric!! And…you can always email us for orders or go to the website and see what’s available.

Speaking of the website, the question we get a lot is why no pictures of the Sampler Packages. Good question, and we have a good answer. Marbling creates unique pieces, and for us to put a picture up of each package, each piece, would be time consuming, very expensive, and probably lead to unhappy customers because you wouldn’t be getting “exactly” what’s in the picture. So we’ve given you a basic description. You can be pleasantly surprised! Or, if you want to know exactly what you’re getting, you can browse the Eaby auctions. We have a liberal return policy if you’re not happy, but we’ve gotten two packages back in the last 10 years…..and we’ve been on line since 1998…….almost the beginning of e-commerce!

Sampler Package 1: assorted colors and patterns. Eight 6 x 9 inch hand-marbled swatches on 100% white pima cotton. Perfect for piecing, appliqué, patchwork, scrapbooking, wearable art. You get a variety of marbled colors and patterns so you get a “taste” of this wonderful art form. $10.00

Sampler Package 2: assorted colors and patterns. Four 18 x 22 inch hand-marbled fat quarters on 100% white pima cotton for a great stash builder. Available in the following color ways: volcano reds/oranges; underwater blues and greens; deep woods browns and greens, and pinks/purples. Perfect for some serious quilting. $25.00

Sampler Package 3: assorted colors and patterns. Eight 10 x 10 inch hand-marbled squares on 100% pima cotton, for those larger block patterns you want to create. Perfect for piecing, appliqué, patchwork, scrapbooking, wearable art. $15.00

Now for Ebay this week:

A REALLY gorgeous piece of silk art cloth, in greens and blues, 17 by 23 inches. All preshrunk and heat-set and ready to go. Some nice movement to the piece!

The Etsy shop is a little bare this week – we’ve been selling lots of fabric, but we do have a few small art quilts that would make good presents – and they are reasonably priced. Here’s “On the Rocks” – a small 8.5 by 12 inch fiber art piece, perfect for a small table or a small wall area that needs just the right bit of color.

More coming next week! We’re surrounded by fabric around here!

Two weeks ago I showed the start of a commission here, and I am almost to the end of it. Lots of interesting decisions to make along the way – I am really enjoying the decisions in the design process, especially as they relate to using marbled fabrics. My biggest problem is trying to photograph the colors so they are true.

The quilting of the marbled fabric went really well – I emphasized the white area with bubbles, as though it were a stream working its way through the rocks. Went through two different colors of threads before I decided which one I liked. That’s different for me…in the past I would just let it go.

The first border is a very soft corduroy, and I left it a little “puffed,” rather than pulled straight. I liked that it played off the roundness of the pebbles. I love the batik for the outer border, and I also used it for the backing. I realized again why I’m not fond of mitered corners (but that’s what this piece needed), as I took two of them out several times. I still need to trim the outer border by an inch so that it seems better balanced, but I decided to quilt the outside first. Again, a struggle with what I wanted to use for thread, as well as how I quilted it. I wasn’t happy with following the pattern of the batik, as it looked too crooked. So I opted to play off the idea of the frame, and I’m quite pleased. What faces me tomorrow is making sure the piece is completely square, which I need to worry about, as it is a commission. Thank heavens I know about the diagonal to check for a square.

I’m going to use the Alzheimer Quilt hanging system – the little triangles in the corners, as I think this will help the quilt lay flat on the wall. I also plan a label for the back with all the information about the quilt, including care. I found a “certificate” on line to use for the new owner of the artwork with all the official details.

Here’s the large shot, still untrimmed:

I am really loving this piece, which is actually more true brown and copper than in the picture. Still thinking about some seed beads……see what happens next week…..