Posts Tagged ‘marbling’

WHAT’S ON SALE TODAY

Here’s what’s on sale at Marble-T Design TODAY only. Sale ends at 11:59 PM Mountain time. Add some marbled fabrics to your stash, to your new projects, or give to a friend.

EVERYTHING on our website, including art work, on sale at 20% off. Spend $40.00 and receive our Table Runner Pattern FREE! After your order clears, we will email you the PDF of the pattern. Our website page is here. Orders placed will take two weeks to complete. If you would prefer not using our shopping cart, just send us an email with what you would like, and we will invoice you via Paypal.

Lots of work redoing the website – looking at old pictures, seeing how far we have come, and it’s been quite the journey. I tend to get obsessive on these things, and I am now trying to rein myself in….not every piece we’ve ever done has to be on the site, but I want a good representation. This site has served as an online portfolio, and it’s been great. Now I want to expand into other information, as well as attempt to rev up the sales portion on the site. Many thanks to web guru Suzan of Saltwater Systems – nothing short of amazing!

We’ve added more fabric samples so people get a better idea of what can happen with marbling. You can see that here. We could add so many more from our pile of “Never Sell These,” but this gives a good idea.

Also, I’ve added small pieces we’ve worked on to the Small Works page. I do like working in a 12-inch-square format, and I want to do more of that when some of the bigger projects are finished.

My Nature series has really grown, and as I look at all the pieces together, I can see how I am really drawn to quilting the traditional stone pattern. I want to do more with the bouquet and nonpareil patterns, and I have the perfect piece of red cotton that has started calling me. In the meantime, I’m practicing my machine quilting on some smaller quilts. My Christmas quilt is almost redone – I succeeded in accenting the stars. I need to sew the binding, so hopefully a reveal in another couple of days.

It’s great to be so busy….we have a major order we are marbling in the next few days, and it’s a secret at this point….but it’s for a magazine feature…………….

  A definitely busy week! I’ve been list-making for four weeks now, trying to keep track of everything that HAS to be done, NEEDS to be done, and WANTS to get done! I finally had to admit that I can’t take the Craftsy class with Cindy Needham I want until after the first of the year, because there are too many things going on that need to be finished up by the beginning of December.

Etsy has been selling well, and we need to get a LOT more fat quarters done and in the shop. The website should undergo some major revisions this week, and I’ll finish all the little cosmetic things I still need to do….pictures, descriptions, order form…..I get REALLY picky when it comes to having every possible loose end covered. EBay has also finally picked up, after a nonexistent summer. And we need more remnants for that site.

Craft Gossip ran our tutorial, and the number of newsletter subscriptions jumped. The newsletter will be going out on Sunday this month – trying a new delivery date to see if the “open ratio” is better. We have a guest post with C&T Publishing on Friday, full of pictures using marbled fabrics in quilts, both contemporary and traditional. Still have a few things to finish up on that post. We had an inquiry from a major magazine about fabric, so we worked on samples over the weekend and will get them in the mail tomorrow, along with notes about the fabrics.

Finally got a thread order done, and I should have a bunch of new threads for a couple of new projects by Friday. I need to put the binding on my bed stand runner, as the quilting is done for this month’s free motion challenge. I need to do another blog post for Handmadeology, this time on the importance of having product available whenever you do a demo. Might seem like basic knowledge, but we did a lot of years of demos without bringing anything to sell!

Busy week, and lots of great things happening. All as a result of dropping a few ideas in the pond, as well as continuing to do what I’ve been doing.

The website is coming along. A lot of minor changes, new work is up, but there’s still stuff to do in descriptions. I need to get the shopping cart completed, as we just had an order this morning and the price was wrong. There was about ten hours of work so far, and now it’s about at the point where I have to turn over the rest of the work to my amazing web guru, Suzan. Interesting discussion from a friend about the confusion for branding on the site….like why the “T” in the business name. Turns out this was a play on the word “novelty” from way back, when we were thinking of primarily doing t-shirts. Now we can’t really change the name of the business, but I need to get our personal names involved more.

Inquiry from a magazine that I can’t say anything about now, but it’s really exciting! Inquiries coming in from the Etsy store for commission work, which is good. Need to do a thread order, need to start a couple of new pieces. And…have to get some work ready to go up on a new gallery site.

Today a give-away broke on Craft Gossip, our quilting marbled fabric tutorial, so we’ve had a lot of new subscribers to the newsletter. Another tutorial will break the end of the month on C&T Publishing blog. That’s the deadline I need to make this week.

We’re marbling again this week, as we have new orders coming is, and I have a couple of new patterns I want to try out. Speaking of marbling, as a result of visits to the Etsy shop, these are the pieces people have been saying they LOVE:

Ever since we started marbling in 1993, people have asked us “What do you do with the fabric? It’s too gorgeous to cut in to.”

We’ve made lots of quilts, both traditional and art-quilts so that folks can see how marbled fabric can fit into a quilt or wearable garment. That got us started, but there was always the feeling that we could be doing more with the fabric itself. A friend took a fat quarter to “play with,” and the following week she came back with a gorgeous piece of completely quilted marbled fabric….simply by following the line of the pattern.

Well, that was truly the beginning of taking marbled fabric and really working with it in a quilt. My first attempt was to work with a freeform pattern, just following the lines of the pattern. This uses the stone pattern, as well as a beginning chevron pattern, both of which are easy to follow.

This piece, “Gaia 1: Interdependence,” used a free motion foot, as well as a regular basic stitching foot. Because the strips are relatively narrow, and the batting was thin, I chose not to use a walking foot. Your mileage may vary; if you are comfortable with a walking foot, by all means use one. I find I almost exclusively use my regular foot and my free motion foot.

Here is an example of quilting a line using a regular foot. I like having the even stitches, which I don’t always get with my free motion quilting (and no stitch regulator….).

You can have a great piece of marbled fabric, but sometimes it just needs something. I’m finding that more and more…it is an addiction…..

Getting Started

You need a piece of marbled fabric. We’re starting with a freeform pattern, made by creating the stones by dropping paint on the carrageenan bath. Then using a stylus, we swirl the paint around the whole piece. This gives us the effect you see here. This also involves the first very basic marbling pattern, the very organic-looking stone. From this pattern, using a variety of different combs and rakes, you can get very complex patterns. But let’s start with this pretty basic pattern.

When you have a marbled pattern, look at it closely for lines that lead to other sections of the pattern. This is a different type of free motion quilting. You aren’t deciding the whole quilting schema, like in most regular quilting; you are just analyzing and deciding where you want to go with your thread.  A pattern like this one has gentle curves to it, unlike more complex marbling patterns. This is a good one to start with.

Using this next picture, see how you can travel from one end of the pattern to another. Once you’ve studied a pattern, you can decide if you will do individual sections or travel across some pattern lines to do a new section. With this first marbled pattern, you have several possibilities. You can outline the little stones. You can follow most of the curved lines. You can do a combination.

Some marbled patterns are pretty intense, and you end up doing a lot of quilting in very small areas. These take more control, but the results are fabulous.

You have some decisions to make at this point: backing, batting, thread choices. I chose a green cotton for the backing so it would play off the green in the marbling. I used a left-over piece of Fairfield cotton low-loft batting, and Superior Thread’s Bottom Line in the bobbin. I chose a white thread, because for the purposes of this tutorial I wanted you to see the design aspect on the back. You get some very interesting quilting effects on your backs.

When I put my pieces together, especially if they are small, I spray baste top and bottom to the batting. For larger pieces I also use safety pins.

All of these are various threads from Superior. I am a bit of a thread snob, as I only use Superior Thread and needles (their titanium needles are pretty amazing). Ever since I did the School of Threadology in St. George, Utah, I have been hooked on their threads…and I NEVER have thread break. The threads above are Rainbows, Brytes, and Art Colors.

I thought this bottom thread, Bryte, would work the best, so that’s what I started with. I thought the dark green would emphasize, but not be obvious.

I checked my tension, according to Dr. Bob’s thread guide for Superior Threads. Then I picked a place to start the free motion, did about an inch, and checked my tension again.

You can see how I just followed the basic line of this first swirl. I usually pull my threads to the back and tie them off or bury them, depending on how the piece is going to be used.  With the next photo, you can see how I chose another swirl and followed that particular curve.

You can move around the fabric and pick different areas to quilt, but if you are going to quilt the whole piece, continue quilting out from the area where you started.

I also decided to change colors of thread, as I wanted something lighter to accent the pattern. Don’t hesitate to do this if you feel it will add to your design.

In this next example, I have changed thread color again, and this time I am outlining the smaller circles. The circles are part of the “stone” pattern, which is the first layer of paint in developing a marbling pattern. The circles take more control in your free motion, but you get great results in texture. You will want to plan your “traveling” stitch as you move from small circle to small circle.

Every now and then take a look at your back. Check for tension, secure your knots, and just admire the developing design. I used white in my bobbin because I wanted you to see the actual stitching on the back. You may choose something else, but the backs of marbled quilting can look spectacular.

Hopefully you will enjoy this technique. Email us with questions, and we are always interested in seeing your finished projects. To get you started, you can order fat quarters in this swirl pattern at a discount from us. Just email deanm@marbledfab.com, and tell us you want the quilting special fat quarter for this tutorial, and give us an idea of the three or four colors you would like. Cost is $6.00 per fat quarter, plus $2.00 shipping and handling, up to three fat quarters.

Keep in mind that this marbled quilting works best if you have some definite contrast with your color choices.

Copyright 2012 by Linda Moran and Marble-T Design, LLC. You may NOT reproduce this handout/post in any format without express permission from the author or Marble-T Design, LLC.

I have been working, even though I haven’t posted anything lately. I’m trying to finish some patterns and start the last of the seasons hangings – Summer. “Spring” turned out so much better than I anticipated. When I first started the log cabin blocks, I wasn’t sure they would really look like spring, and if there would be enough contrast within the blocks. I think it turned out wonderfully well.

I so hope I can get “Summer” to be as vibrant.

And now…a few new pieces just out of the marbling tray…..

Back to work!

Well, it’s been an interesting bunch of days. After thinking I was on a roll, with blog posts in the queue and lots happening, I an felled by lowered ilium and severely twisted muscles and sciatic nerve in the left leg. To the point that I have been flat on my back, unable to walk on my left leg, kinda loopy from the pain killers, and hobbling for another visit to the chiropractor tomorrow. The lump the size of a golf ball (according to hubby) has disappeared, and things are on the mend, I was able to get a lot of loose ends done today, but I am still in a fair amount of pain.

Bummer.

A lot of good things have been happening, and now I have a couple of major deadlines to meet in the next two weeks that should drive some good traffic to the blog, website, and hopefully result in some orders. I just have to be able to do the work.

Two major guest-posts for blogs, a new online gallery, a major website revision, more fabric to make, and some patterns to finish. Momentum is developing, which is exactly what I want, bvut I need to keep up with it. Nice problem to have, especially if nothing is keeping you from working.

So I did a brain dump of everything I could think of that needed to be done this week…and then some. Lots of little things got done today, and tomorrow I will prioritize the major pieces after our marbling session. Usually I get all the little things done, ’cause it looks so good having everything crossed off. But THIS TIME I have to prioritize for my deadlines.

Should be a great – and BUSY –  week!

Still a pretty fallow week in terms of getting things done. I am slowly plodding through some projects to eventually go up in the Etsy store, but i’m not really thrilled with any of them. they’re good, but not wowzers, to my thinking.

Anyway, in terms of marketing, we were asked again to participate in StashFest up at the La Conner Quilt Museum next March. Last year we said yes because we wanted to go on a trip to an area we’d never been before.  This year we knew we had to make a very pointed look at the expenses to make the trip. So if you’re thinking about doing a show and never have, here’s the process we went through.

One, we knew from our record of expenses last year (we wrote down EVERYTHING in a notebook for the whole trip, complete with every receipt) that Seattle and back to Tucson would be $3000. That’s accounting for the five nights free on the road, between friends and freebie points toward rooms. That’s gas, rooms, food, admissions, some gift/art buying. Not a whole lot of extravaganza, but the whole trip back through the Oregon Coast was part of the enjoyment of the trip.

Two, we had a new percentage cut to work with this year. We would get 65% of what we sold. If we sold $6000, we would get $3900. that would cover the expenses of the trip, but it wouldn’t cover what we would need to lay out for expenses to make the fabric. We looked at what we would need to have in inventory to take $6000 worth of product up to La Conner. Once we had this inventory, we cost out supplies, which came to about $3000. Marbled fabric has a very low profit margin….and this would mean every spare piece of change would go to supplies, with no additional trips between now and March.

Three. we based our new inventory on what we learned last year. New, deeper colors, especially grays. Lots of specialty fabrics, as they were a last-minute addition to our inventory, and we sold out in lass than an hour. Pattern kits using marbled fabric. Ribbon and silk flowers. Based on our experience last year, we had a good idea of price point. Our basic cotton fat quarters need to sell for $8. We could have sold a lot more last year if price and color choices had been different.

Four, up-front expenses would be everything, and about two weeks after the show before we would receive our monies. That’s $6000, up front.

Five, hubby is facing some surgeries this fall, one of which is very up in the air. We didn’t want to commit and then have to back out of the event.

As much as we want to do the show, all of this added up to our saying we couldn’t participate. We were bummed, as we had a great time last March. So we emailed our regrets…..

…and got an email right back inviting us to send up fabric that a volunteer would sell for us. As much or as little fabric as we wanted. The organizers knew with the new percentages that it probably wouldn’t work for us, but they wanted our fabric anyway.

Absolutely! This is something we can definitely do. Now there are a number of things to consider:

1. Shipping costs to and from, approximate amount of inventory

2. What gets sent to support the fabric – a few less quilts, more business cards and care codes, specific instructions, a revised portfolio.

3. Time line for creating, and deadline to have everything completed (March 1, ship March 15….)

I’ll keep you posted.

I’ve had a couple of people come by and see my “Misfiring Synapses,” a piece I did on depression. It’s getting mixed reactions. Some people don’t get it because it’s fiber and doesn’t look like their mental picture of fiber – which is a typical quilt. Some don’t get the imagery in the abstraction, and that’s okay. But most people who do get it love it – they say it’s exactly what they figure their mind is going through. Which is what I was aiming for in its creation. I think if you’ve suffered from some form of depression, especially situational, you get the idea that something is ultimately not right in your brain.

When the call for this show came up, I spent a lot of time trying to think 1) how I would interpret it, and 2) how I would do it in marbled fabric. We had done some black satin a while back for a different piece, and it was pretty organic in form. As I was going through fabric, I happened on the piece and thought it looked quite a bit like a nerve ending. Very dendritic. So I went with that piece, and I wish I’d taken a picture of the satin without anything done to it.

I wanted the effect of an irritation, like an itch that just wouldn’t go away. As I was checking through my threads, I saw a Rainbow thread from Superior that was a red/purple/black, and I thought it might work. When you look at the above photo, you can see that the red shows, and then it looks like there isn’t other thread. It looks like an irritated part of a nerve. Just what I wanted.

So I had the center of the piece, but I wasn’t sure how to develop the “looking inside” aspect – I wanted it to feel like you were looking deep into the brain and seeing just this one little piece of irritant. I had two different types of red fabrics, both satins, and both with some freeform designs, again very organic.

I did a lot of the same type of quilting, following the black, this time with a variegated series of reds. Lots of bubbling texture resulted. I did the same thing with the second piece of red. What I seemed to have were two different areas of the brain, both pretty irritated.

I also had some more great black satin, this time in more formal marbled patterns, and I figured this would work really well for the outer shell of the brain, all the “gray matter.” I continued with the curved pieces that overlapped each other, much like I would imagine the parts of the brain does. Each of the curved pieces had serged edges with the idea of the gray matter and all the wrinkles you see in the surface of the brain. There were a lot of issues in connected these pieces. I had to work from the design wall to the flat table, and then to the sewing machine, hoping I could get all the pieces of the puzzle together. My intriguing back of the piece started to look really messy, so before it travels at all, I will add another backing to it, to make it a lot neater.

You can see a lot of the overlaps and edging in the above picture. What I particularly love about the piece is that it works both from a distance and close up. From a distance you see this really interesting organic shape, and the colors are somewhat disconcerting and upsetting. Close up it looks like it is undulating.

I left it nice and big for you so you could examine all the various parts of this.

17 by 20 inches, available for sale.

Comments?

…yeah, I know, I’m still behind….but I have been working.

There are a bunch of things going on, one of which is finished and waiting to go up in Etsy, and the other two in various stages of completion. The completed piece started in a traditional clam shell pattern that I put aside in my stash. Since most of the small quilts i have done as practice pieces have all sold in Etsy, I figured to do a few more. This is a great piece of fabric, and it reminded me of the few times I went clamming on the Eastern Shore of Virginia and the Outer Banks, especially the bay side. So I just let the design guide my free motion quilting.

Quilting pieces like this is so zen-like, and I love the effects.

I serged the edges in a fine stitch, just shy of being a rolled edge. I knew I was going to add some yarn to the outer edge to simulate the foam of waves receding. But the piece also needed some focal points. I was looking around to perhaps buy some small clam shells and not having any luck (had no idea that there are so many packaging types labeled “clam shell”). It finally occurred to me to go to my second mom, who is a fanatic when it comes to shells…..she has LOADS of clam shells, so I had my pick, and then hubby added clear nail polish to bring out the subtle colors.

Problem was I still felt I needed some blues for accent, so I spent about an hour sewing on a variety of blue seed beads…..and it looked terrible. I pulled them off, only to realize I shouldn’t have any problem with beads coming off other pieces I do…they were secure. Went to get the white yarn and saw some cool blue yarn I have used in the past to simulate water. So…….got the fabric glue and went to town on the edges. I like the final result – don’t love it, but I do like it, and since it’s really a practice piece, I know someone else will like it too. Here goes:

Next up are some small squares and rectangles from about 10 years ago, as I wanted to do something with geodes. I pulled these out again to see about small Etsy pieces. I laid them out and realized I had kind of a cool wall hanging developing.

The quilting is completed on all seven, and the serged edging just kind of fades into the background, just like I like it. This is the basic stone pattern in marbling. What I discovered with them this time is I used a “micro” stippling for the white spaces, and all of a sudden I had a great sand effect.

Love the effect!

I was thinking originally to connect the pieces with beads, but then I found some beige Offray ribbon that we marbled. Gorgeous!! What I don’t use will go up in Etsy or Tophatter.

And then I decided to look through the beads and stones to find something for the very bottom. Lava and some tree agate…..

Hopefully by next week I will have a finished piece.

And then…as I am trying to work on some patterns, I started free motion quilting another piece of stash fabric. I used some Superior blue silk, with Bottom Line in the bobbin. I like the effect of not too large thread just outlining the design.

I have decided to go with an orange Rainbow for some of the piece.

Again, hopefully, a finished piece for next week, along with a completed pattern. Lots to do!

One of the fun things for me in marbling is trying to see what else we can come up with as we marble fabric. This has led over the years to marlbing silk flowers and ribbon, as we didn’t want to waste the accumulated paint on the sides of the tray. But what to do with the paint and size left in the tray after the actual marbling is over?

We have taken pieces of cotton and laid them directly on the left-over bath as we are getting ready to empty it. The results have been really interesting – very organic, lots of striations. Here’s what happened today.

This first is the shot of the marbling tray after we finished our last piece of cotton. You can see the paint left, some on the surface, but most on the bottom of the tray.

Nothing really interesting at this point. So I started to scrap the bottom paint down towards the end that we will bail from.

Now it’s starting to get a little more interesting.

More scraping.

Definite possibilities here!

Now we’re ready to lay a few pieces of treated fabric, just to see what comes up……and this is what we ended up with –

I see lots of possibilities.

And now it’s time to complete another table runner for my second mom. You can read about the first 3 here. I’m renewing my hate affair with 1990s white polyester…..here’s some of the new blocks. I don’t have the coverage for the satin stitch with this particular thread….I think it might be a little too thin. And each keeps buckling, regardless of how many times I stop, lift the presser foot, and turn to keep from bumps.

This is the last of these five for this next table runner. This will probably take about two hours.

Love how the green glows in these next two.

This time around I’m quilting each square separately and then piecing them together – will (should) be much easier to manipulate all of it under the machine. I’m hoping to have this completely finished by Sunday so I can move on to the June challenge for the Free Motion Challenge. Got lots of ideas for that one!!

Busy week! The commission piece (the triptych that wasn’t) is done, awaiting beading. As I was on the floor at yoga last Friday, I was looking at a very skinny part of the wall and thought, this would be perfect for a long piece. On Thursday night I had started the stitching on the lichen, and I absolutely loved the way they worked out, and I no longer wanted to cut the piece into three. This skinny wall section will be perfect. So over the weekend I steamed and blocked the piece, got the binding on and hand-stitched down. Love it! Took it to yoga on Monday to show her, and she is thrilled. The only thing needed at this point is some blue beads along the “stream” to add an additional color and bring the piece together. Formal pictures next week when the beading is done.

Also completed are two new fiber bowls for my gift baskets of marbled fabrics, set to go up in the Etsy store. We’re doing pictures later today so I can get the stuff up in the store. Wrapping clothesline with fabric is the absolutely perfect activity for watching television at night.

And…I am finally starting another major piece that has been brewing for a couple of months. I’ve had the backing since October, and the marbled fabric was done in September. I finally got the batting two weeks ago, and today I made the sandwich, chose thread, and started the quilting. It’s sort of a whole cloth, but not really. There’s no piecing at this point until this center medallion is done, and then I’ll just kind of see what happens. This seems to be the way I work….intuitively, guessing along the way, trial and error. Most of the time it works.

Here’s the first focus fabric….very “brain-looking,” and I’m approaching it as though these were dendrites in the brain. Doing a thread check –

– going for the one on the top, as I like the black section in the thread…looks like the nerve endings are skipping, which is the look I want. The lower thread will be in the bobbin.

I started the stitching, and then I took everything out – not happy with tension, and I wanted to analyze the pattern yet again.

This picture, when I saw it through the view screen of the camera, made me somewhat upset. I couldn’t see the discrimination of the black and the blue through my own eyes. I am having to look at it through a photo, so I know where I want to stitch. THis is the first time that I am aware of my eyes not being true to what I am seeing and want to do. Doesn’t make me happy…..

So I took my own advice from the Monday Marketing post to just get in there and do the work…I did, and I have a lot to show for it, with more to come.

Busy week! I’ve been dutifully getting a list made each day, and I am being pretty successful at accomplishing everything. The biggest news….I FINALLY have all the names entered to be able to start the newsletter. Next week it should arrive in your mailboxes….a mere 16 months after the last one. I’ma workin’ on it……

Here’s a couple of pictures of what’s been happening this week. We are waiting on about 10 years of pima cotton to get started on our next big order, as well as a large order of paints. Meantime, hubby is planning to marble some small test pieces for a couple of projects. First up, a piece of linen that has wax on it. We met a wonderful batik artist up at StashFest in La Conner, Margot Bianca. You can check her Etsy store here. We spent a lot of time talking, and we’re going to marble a piece of linen, and then Margot will dye it, and she is going to batik a piece of already-marbled cotton. Should be a lot of fun to experiment. We’ll show results as they happen.

The studio is ready for marbling. We can dry in the garage, but sometimes for pretreating, it’s just easier, especially if there are mostly small pieces, to set up the drying racks in the studio. We sure do know how to maximize space!

And we do recycle, as you can see from the OJ bottles – they are perfect for keeping carrageenan as the bubbles disappear and then get stored in the refrigerator. We always cover up the rugs, even though we are obsessively neat, because the one time we don’t, paint will spatter…..

I am currently finishing a piece for my yoga instructor, as we are bartering: art for yoga lessons. You may recognize the piece….this is the “remains” of my “Shallows” piece, and it is in the process of becoming a triptych. More on that as it gets finished, hopefully by next week.

Still lots of shading, binding, lots of beads so that we have a small stream running through the three pieces. And of course, my lichen……

I’m also trying to start the pattern for the seasons wall hangings. I’ve got the ideas, and potentially the right fabric. Here’s spring….

…and here’s summer…..

I may actually combine the two…it will depend on how it works out.

There’s lots more on the list, including a new book I am starting on tutoring. I need to schedule significant writing time, along with all the sewing. So far, so productive!

Ira Glass on Storytelling from David Shiyang Liu on Vimeo.

I’m doing more practicing for the Free Motion Quilting challenge. This is a bit of a “challenge” for me, as I am not used to just practicing without it becoming something I can use. I keep thinking about what I can turn this practice piece into……I need to get over that! It’s practice…..practice……practice…..

Now, in keeping with the video, we’ve been marbling for nearly 20 years. We look back at what we originally did and are kind of appalled at just how bad the initial pieces are. But it was fun to marble, and so we kept on and experimented with new patterns and other things to do with the fabric. This was practicing to get good. And now, with a couple of new opportunities, we are “practicing” even more, and the fabric looks amazing. And for the first time in a lot of years we are trying new patterns. In the last 50 pieces we have done, we have perfected three new patterns from the traditional.

We have a system for all the various stages, but more than everything involved in the process, we are having way more fun than we used to. We get good feedback, and I think for the first time we realize our work really is good and belongs “out there.” Funny how validation from others makes a difference!

So the Humane Society takes old bedding and sheets for cage blankets……that just might be where some of the practice pieces go………sheesh, it’s a rambling kind of day…..

Not a whole lot of pictures today, but a whole lotta work going on.  We are in the process of marbling 400 fat quarters for StashFest the end of March. This is a fund raiser for the La Conner Quilt Museum, and we have been invited to participate and sell our marbled fabric. Yay! So needless to day, there are a LOT of marbling sessions ahead of us. With hubby’s health, we are being very careful about scheduling the sessions. And…we are planning ahead. Counted the number of weeks we have, allowed for vacations, and started ordering LOTS of pima cotton. Hubby is really in the groove, and the fats are looking fabulous. We pulled out one of the marbling books and are going to try some new patterns as we work. Pretreat, alum one day, then marble the next….all our mornings are set aside for this. Plus, I can’t wait to get to the Northwest. It’s been on our bucket list for a number of years. and now it’s actually going to happen. So send me suggestions for things to see and do – and eat – in the Seattle and Portland areas. We’re going to save the ocean spots for another trip. We’ll be happy, us desert rats, with rain and fog and humidity!

Those of you in the Seattle area, mark your calendars for March 31 and April 1. There should be publicity hitting any time now in your area. You can check the Stashfest website for more information. Also, we are taking small quilts with us for display purposes at StashFest, so if any of you in guilds would like us to give a talk (and perhaps a demo), please let us know.

Now, along with that are several shows I have decided to enter. Some I have recent work for, but most of them will require the creation of new work. And I am so up to the challenge. The piece I am working on now, for a show deadline in February, is teaching me – and speaking to me – a great deal. I am thrilled with how it is turning out, and even if it doesn’t get accepted to this show, I know I have created something different, meaningful, and beautiful

Here’s what I’m looking at:

Visions – 2/13 (If I’m going back out there, go big….last acceptance for a major show – Expressions in Fiber – was in 2004. And if accepted, I’ll let you in on what prompted me to go for this.).

Art Pin-Up – 3/2 (12 x 12, very do-able, and no jurying….)

Fish Follies – 4/20 (?) (great acceptance rate over the last 6 years for fiber. This year I have a really wacky fiber idea…..it is Follies, after all….)

Tactile Architecture, Hands All Around – 4/27 (one piece is already completed….)

I’m Not Crazy – 5/5 (idea is sketched)

Pushing the Limits – 5/16

Pattern Base – book inclusion, June 12

And this is just the first 6 months. So I guess a goal for this year is to get out there and enter my work! Along with trying to set up two individual shows.

It is going to be an awesome year of taking chances!